The Interrogation of Ashala Wolf by Ambelin Kwaymullina

Read: 22 June, 2017

In a post-apocalyptic world, civilization has reformed around a a collection of rules – strict regulations govern mining, weapons, technology… and citizenship. Those who develop special abilities are suppressed and imprisoned in detention centres, unless they can escape.

Ashala is written in the standard first person YA voice. It’s done well, but the voice isn’t a particularly strong one.

The plot is your average “main character is the leader of an underclass group that is rebelling against the status quo” format, and the main character is your standard “her strength is that she is just such a good leader, but she struggles with her desire for revenge” character.

It’s all fairly bog-standard, but it’s well executed. The twists are somewhat predictable, but the reveals are fun. I would have liked some more time with a few of the side characters, but I suppose that’s what sequels are for.

All in all, this book follows the YA template fairly faithfully, which fans of the genre will appreciate and haters will dislike. But while Ashala isn’t bringing much new to the table, the execution is solid. If you want to read YA, this is an excellent choice.

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The Palm-Wine Drinkard by Amos Tutuola

Read: 30 May, 2017

I read this second due to the strange publishing choice to put Drinkard and My Life in the Bush of Ghosts in reverse order.

For the first half of the story, I liked Drinkard quite a bit more than My Life. The story was certainly more lighthearted (a lush encounters the supernatural while on a quest to find a palm-win tapster who could work fast enough to keep up with his alcoholic appetite vs a little boy gets lost in the supernatural world while trying to escape inter-tribal violence), and generally reads more like a trickster story. The titular drinkard gets into scrapes, then performs some feat of cleverness to get himself back out again, all the while behaving rather amorally.

But then Drinkard becomes a lot more like My Life, where the character seems to bumble through a parade of supernatural experiences, each time suffering “punishments”, before being saved or escaping by luck. Which is totally fine, but 300 pages of “and then there was a ghost with a thousand mouths! And then a ghost that was all red! And then a ghost that was all smelly!” is a little bit much. Especially without a cultural lens for understanding these different creatures.

Overall, I enjoyed both stories. I found them to be interesting and imaginative, and I really enjoyed the very oral writing style (though it was a bit of a challenge to follow at times). I only wish that I’d given myself a little more downtime between the two stories.

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My Side of the Mountain by Jean George

Read: 28 May, 2017

This book was utterly up Kid Me’s alley. I was that loner child who used to sneak off into the woods every afternoon to make my own bow and arrows. I’m that kid who once got a bunch of sticks smoking using nothing but forest stuff and a piece of string pulled from my school uniform tie. I’m that kid who read “kid survives in the wilderness” stories almost exclusively. And I loved this book.

My kid has been getting into the same spirit, so I figured it was time to share My Side with him. And he really loved it. The best part is that it’s been great for getting him to come out on nature walks with me, and he’s been really interested in how different plants can be used, what’s edible, that sort of thing. I’m looking forward to camping season starting to see if he’s more engaged there, too.

I have to admit, though, all the talk of running away made me rather nervous. I ran away all the time as a child, and I’m sure I worried my parents grey. But, blessedly, the idea never seems to have occurred to my child. Even when he’s upset and totally hates me,he still stays close to home. It made me super nervous that this book was going to put the idea of running away from home into his head. So far, though, that seems to have been unfounded. We’ve talked about going into nature together, and made plans for camping together. For whatever reason, running away just doesn’t seem as appealing to him as it did to me. Maybe he’ll age into it.

As a story, I found that My Side dealt a lot more with Sam’s contact with people than I remembered (I actually didn’t remember these parts at all!), and less with the nitty-gritty of his survival. On the whole, though, I found that there was a good balance between the two.

I had also completely misremembered the ending – which I recall as being a traumatic ripping away from the mountain with police and such. I’m not sure why I remember it that way, or if I’m crossing memories of another book.The real ending, however, is much gentler.

This is a charming book with fairly good pacing. It’s also great for teaching kids that they are resilient and capable of being useful, despite their small bodies. Some aspects of it are a little dated, but not nearly as much as I would have thought.

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My Life in the Bush of Ghosts by Amos Tutuola

Read: 23 May, 2017

For some reason, my copy of the book includes both My Life in the Bush of Ghosts and The Palm-Wine Drinkard, but in the wrong order. I didn’t realize that I was reading the second book first until I had already finished it.

I don’t think it matters too much, except that there are a few “wink at the camera” mentions of a Palm-Wine Drinkard that I assume I’ll get once I read the first book.

The story follows a young boy who, escaping from some inter-tribal warfare, finds himself in the Bush of Ghosts. There, he wanders around for twenty years among the ghosts, suffering various trials and tribulations, until he finally finds his way home.

The writing style is a bit of a challenge – it’s written in a very “oral” style, complete with some colloquial grammar. It meant that I had to slow down my reading, letting the voice in my head narrate, or I would get lost.

The narrative is very loose and episodic. Just as the main character visits numbered towns in no particular order, so his adventures themselves could have been arranged in just about any order.

I found the story very interesting. It isn’t character driven, by any means, as the main character only really serves as a vehicle to explore the Bush. But the ghosts he meets are imaginative and interesting, and it was always fun to see how he would get himself out of the various “punishment” situations.

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The Change #1: Stranger by Rachel Manija Brown & Sherwood Smith

Read: 15 May, 2017

Like most people, I have a bit of series fatigue, and have been trying to aim for more stand-alone novels. But then I accidentally picked Stranger up after seeing it recommended somewhere, not realizing that it was a series until I started writing this review.

This is an ensemble story, beginning with a scavenger (called ‘prospector’) coming upon a small town. He tries to fit in while each of the other characters deal with their own drama and the regular dangers of their environment, while their own local Lord Humungus brews up dastardly designs on the town.

The most obvious thing about this book is it’s diversity. There are many different ethnicities, many religions, many sexual orientations and types of romance… This is a book that is chock full of diversity.

It does read a little odd at times. This town, that seems to be so inclusive (except, of course, along the Changed/Norm axis), has preserved its distinct ethnicities for generations. It also feels almost a little collectionist, in the “one of each” style of diversity.

But, you know what? This is not a complaint. Maybe I’d count it against the book if diversity were so common that it were humdrum. But I don’t live in that world, so I will clutch to any book that intentionally and thoughtfully gives as many people as possible a character they can identify with.

I really really loved the romance triangle in this book. I don’t want to spoil it, but this is how love triangles are done right. When the romance stuff first started and it was clear that a potential conflict was coming up, I groaned because I have just been through this love triangle biz far too many times and I just can’t even. But then it resolved, almost immediately, and to great satisfaction, and it was wonderful.

This is YA, and perhaps even on the younger side of that bracket. There were times when it felt a little extra kiddy, maybe even late middle school-ish. It was still a perfectly enjoyable read for this 32 year old, but there was a certain naivete to the narrative that reminded me that I’m not the intended audience. I wouldn’t hesitate to recommend this to the 12-16 crowd, though. It’s a very enjoyable read with great representation, interesting worldbuilding, meaningful conflict, and some great messages scattered along the way.

Some of that naivete is in the worldbuilding – little details that feel off. Like when a town of about a thousand people, a town that rarely gets visitors and then only one or two at a time, has street signs. I grew up in a town about that size and most of our streets didn’t have signs. They probably had names, though I never knew them. Places were referred to as “by the bakery” or “next to so-and-so’s house.” Small towns get by perfectly well on relational descriptors, and yet these are completely absent in Las Anclas.

While part of a series, Stranger does work as a stand alone. There are plot threads that don’t get resolved, but not in a terribly unsatisfactory way. I’d say it’s a safe book – fine for people who might be feeling a bit of series burnout, but with the option of continuing the story if desired.

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Paper Girls, vol.2 by Brian K. Vaughan

Read: 16 May, 2017

I’d love to start this review with a plot summary, but I’m still trying to figure it out for myself.

The story isn’t making much more sense, but the weirdness is starting to become familiar.

As are the characters. I had a little trouble in the first volume because everything was happening so fast that I never got a real grasp on the characters. But they’re starting to differentiate for me, and I’m getting a better sense of who they are.

The artwork is great, and the story is certainly compelling (if rather confusing).

But now I have the same problem I had with Saga – I have to wait several months before the next instalment comes out.

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Rebecca by Daphne du Maurier

Read: 13 May, 2017

A young and inexperienced girl suddenly finds herself married to a widower twice her age. Right from the start, the relationship is utterly unequal – by age, by class, and by knowledge. While the girl struggles to find her place as mistress of a great house, she finds enemies in every servant, every neighbour.

This is something of a slow burn story, a “psychological horror” that relies far more on building a creepy atmosphere than on any overt sorts of scares. And du Maurier does it so very well.

Not only is the narration itself beautiful and poetic, every word has a place, every nuance and connotation and evoked imagery is used to great effect.

Du Maurier does an amazing job of controlling the tension in every scene. The most memorable example of this is the preparation for the costume ball, where it’s immediately obvious that disaster is coming. It’s even fairly obvious what that disaster will be (at least in its generalities). But du Maurier holds back, building and building the tension by describing how very happy the protagonist, and how very much she is not anticipating what we know is about to happen to her. I could hardly breathe through that entire, rather lengthy scene.

The characters are all – down to the very last speaking part – alternately monstrous and sympathetic. I hated Maxim, I sympathised with Maxim, I hated Maxim. My heart broke for the protagonist, I found her insufferable, my heart broke for her. The same again with Rebecca, with Mrs Danvers, with Favell… And it was all seamless, without any inconsistency in their characters.

This is, quite simply, what a masterfully written novel looks like. It may not appeal to everyone, particularly those who don’t enjoy the slow burn type or who have some sort of weird, quasi-inhuman aversion to gothic trappings, but it is a good novel.

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The Man in the High Castle by Philip K. Dick

Read: 23 April, 2017

Dick is an ideas person. Like Electric SheepHigh Castle is full of ideas, all tossed in and scrambled fairly willy-nilly. A dozen great books or movies could be teased from the setting he creates.

Unfortunately, Dick is not an execution person.

There’s very little that might resemble a plot. The alternative ’60s are described in detail, but it’s an empty world. The characters are soulless automatons who putz around for a bit and then we reach the last page and it’s over. Dick starts three distinct plots: One is a political thriller/spy story that ends fatalistically (the immediate mission complete, but with the realisation that it will help nothing), one is a bootstraps story about the conflict between the antique industry (forgeries included) and the attempt to generate new culture, and the third is a sort of semi-lucid road trip that ends up being a sort of spy story of its own.

These stories sort of connect at points (someone from Story A knows someone from Story B, someone from Story B used to be married to someone from Story C), but that’s about it. These stories, and the characters that make them up, are just there as vehicles for the world development.

And that world development is… meh. The transatlantic rockets are the kind of thing I’d expect from the Fallout franchise’s tongue-in-cheek futuretech. The Nazis being awful, but also hopelessly inept and disorganised once push comes to shove because, ultimately, you can’t run a society on hate is sad and scary in this era of the Alt-Right controlling the government, but ultimately unimaginative.

Then there’s the dialogue. I’m guessing that Dick was trying to “Japanify” people’s speech patterns? Frankly, that came off more Mickey Rooney than linguistically insightful. It was overplayed and overdone for my tastes.

I did like the recurring theme of The Grasshopper Lies Heavy – a fictional book within a book of fiction, about an alternative world in which the Nazis did not win the war. That was funny.

I also liked the discussions of colonial identity, from both perspectives. How do the Japanese react to colonising the pacific US, and how does the pacific US react to being colonise? How does the US break? That’s all an interesting background theme that just didn’t get the plot or setting it deserved.

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Ms Marvel, vol. 3-4: Crushed & Last Days by G. Willow Wilson

Read: 20 April, 2017

In Crushed, Kamala meets a super cool guy who seems to totally get her until, of course, he turns out to be terrible. It’s a bit of an overdone plot, and the comic format makes it feel a bit rushed, but it works fine. Even though we never get a grasp on Kamran’s character (and his sudden change in behaviour is disturbing), it’s still nice to see how Kamala reacts to what’s going on.

Then some big plot stuff gets set up and then… Last Days. The world ends.

According to Wikipedia, it was some big Marvel “event”? I guess I don’t really understand. It was nice to see how Kamala deals with the end of the world, but it seems like she had such a short run. And it’s hard to see how the series can recover from… everyone dying? The only alternative is that it’s was a fake-out and Kamala isn’t dead, despite all the resolutions, and that’s not a whole lot better.

And I guess this is my issue with the superhero/extended universe stuff in general – I can’t possibly keep up with everything, but I feel like I’m missing half the story when I read just the ones I like. It’s hard not to be put off.

I do like Kamala, though, and I like the nerdy references (“KHAAAAAAAN!”), and I like how she relates to her friends and her family. I just can’t help but think that her story would have been much more interesting without the confusion of all these different superheroes around (when she gets her powers, one of the first things they do is try to figure out which origin story she fits – is she a mutant? is she created? no, she’s an “inhuman”/part alien whose powers were activated by chemicals…. okay…). And while I can appreciate the part of her character that geeks out over meeting other superheroes, I feel like there’s a better story to be found if she simply used stories of fictional superheroes to build an identity for herself. Imagine if Captain Marvel were a fictional character whose persona Kamala adopted…

Anyways, I’m sure this comes down to personal taste. Readers who are more invested in the Marvel brand probably get a lot more out of the crossovers and extended universe “events”.

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Trickster, edited by Matt Dembicki

Read: 11 April, 2017

This is a fair collection of trickster stories, each told by a different storyteller/artist team. Given the anthological nature of the book, the quality does vary quite a bit, though only one or two of the stories were what I would consider poor. For the most part, they were interesting, well told, and well illustrated.

As each story is illustrated by a different artist, each has its own style – and these can vary quite a bit, from Marvel-like to Ren and Stimpy. For the most part, I found that the art style meshed fairly well with the tone of the story.

From what I’ve read, these stories are somewhat sanitized. There’s nothing in here that your average parents wouldn’t want their kids – even fairly young kids – reading. There’s nothing approaching the crueller/raunchier trickster tales I’ve come across. I assume that this was deliberate to keep the collection fairly universal, but it may give an overly clean impression to readers who – like the editor – weren’t familiar with First Nations stories prior to encountering this volume.

I was fairly impressed by the geographical breadth of the anthology. There is even a Hawaiian story, which I don’t often see in collections of North American First Nations stories.

Overall, I found that the quality does vary quite a bit from story to story, but the collection is worth checking out.

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