Irresistible Forces edited by Catherine Asaro

Read: 19 November, 2018

Like many others, I got this because I needed “Winterfair Gifts” – to come so far with Miles and then miss his wedding?? Of the other authors, only Catherine Asaro is on my radar (I’ve had her Skolian Empire books recommended to me, though I haven’t read them yet), so I was walking into this rather blind.

As I would have predicted, “Winterfair Gifts” was fabulous. It was absolutely everything I didn’t know I wanted. The rest, however, really weren’t up to that same quality. That’s not really fair, as I came into “Winterfair Gifts” with so much backstory that Bujold had the luxury of economy. All the other authors, however, had to build their worlds for me from scratch.

None of the stories were bad, by any means, but they also weren’t amazing. For the most part, I just didn’t find them particularly memorable. There were some good ideas, some bits I enjoyed, but I haven’t been moved to seek out any of the authors.

The book is worth getting just to have “Winterfair Gifts” on my shelf, and I am glad that I got to read some stories that aren’t in my usual wheelhouse. But if you buy this book, it’ll almost certainly be for Bujold’s story.

“Winterfair Gifts” by Lois McMaster Bujold

I knew coming in that this was going to be the story of Miles and Ekaterin’s wedding, but that’s it. I was prepared to revel some more in their relationship, with maybe a bit of plot on the side, but this delivered so much more.

I didn’t expect the POV shift. The protagonist of this story isn’t Miles, but rather his armsman, Roic (of bug butter fame). Having gotten to know Aral in Cordelia’s books, I enjoyed shifting to Miles’s perspective and getting to see how Aral appears from the outside. Now, we get to see Miles through Roic’s eyes.

The main highlight of the story, for me, was getting to spend more time with Taura. In particular, getting to see her in a social environment. I also loved the glimpse we get of Ekaterin, and how strong she is, as well as how perfect she is for Miles. She’s reminding me a lot of Cordelia, while also being her own separate self.

“The Alchemical Marriage” by Mary Jo Putney

Coming right after “Winterfair Gifts”, this story really didn’t have a chance. For one thing, it has to make me care about the lovers and their relationship in just a handful of pages, whereas I was already cheering in Taura’s corner before I ever started “Winterfair Gifts.” It almost seems cruel to put Bujold’s story first in this collection!

Trying to look at “The Alchemical Marriage” in isolation, it’s fine. It’s not my genre, so I’m less practiced at overlooking the genre’s conventions. Besides that, Macrae’s growly wildness struck me as a silly affectation (particularly since I don’t have much patience for that brand of masculinity).

I wasn’t particularly sold on the relationship, either. The lovers seem to have an attraction to each other, but it’s not really explored. We’re told that they are plumbing each other’s depths and vulnerabilities so that they can exchange magic more completely, but I didn’t get a sense of what that would mean to the characters. Isabel seems to struggle with sharing some parts of herself, but we are never told what those parts are and, in the end, she gives them up rather easily.

When the lovers do finally bone, it’s a matter of convenience – they have to bone to save England, you see! But then, suddenly, Macrae shows up at Isabel’s house all a-bluster, assaulting her servants and threatening her parents, because now they obviously have to get married. Isabel seems to think that Macrae’s approach is a performance to compensate for his own vulnerabilities, but is it? Really?

While perhaps more predictable, I would have liked more about the sharing of vulnerabilities. It’s mentioned how lonely Isabel was, as the only real magic user in her family. That should have been more central, I think. As it was, I got the feeling that the author was going for an exploration of the male/female dichotomy, but defined those terms too casually (like having Macrae be gruff), and then failed to make a compelling case for why these two essentialities should go well together.

I did like the insertion of magic into a historical event, though. That was fun.

“Stained Glass Heart” by Catherine Asaro

I found this one quite good. It was a little heavy-handed, but I did like the gender switching on the political marriage to a much older person plot, and I found that I quite liked the two main characters.

There was too much going on for a short piece, though. For example, having the main character’s whole family be empaths, including both of his parents. Having them be empaths at all was unnecessary to the story, and then it raises so many questions – such as why they are all empaths and why no one else is, even though his mother and father are from entirely different planets. The role of dance was a bit hamfisted as well. I liked that the main character had something “different” about him, and that he had a real dream that he had to give up if he wanted to stay with the girl he loved, but it was introduced a little late in the story. Also, given how many times the reader is told that “men don’t dance”, I feel like it should have been a more important part of the story before it becomes a plot issue.

All that aside, I liked the two main characters, and I liked that I could actually see why they liked each other. Giving Vyrl a shameful passion and having Lily happily accept it as part of who he is was a nice touch.

“Skin Deep” by Deb Stover

This one does pretty well with an absurd concept: A deceased husband is brought back to earth in a new body so that he can help his widow bone the man who had been his rival for her affections when they were first courting. Oh, also? There are male strippers, drug traffickers, and some sort of mob organisation complete with cops on the take. And all of that is crammed into a short story.

The story does well not to take itself too seriously, but it just doesn’t have much for substance. It’s competently written, but I’m sure I’ll forget all about it in a day or two. Except, maybe, for its cheesy early 90s set up.

“The Trouble with Heroes” by Jo Beverley

Not a bad story, but I felt that it was an awkward combination of too heavy handed while not having thought through what it was trying to say. There’s something there about soldiers being changed by war and coming back to a population that honours their heroism while also being afraid of what they’ve become. That’s all well and good, but then there’s the stuff about magic and controlling people’s minds, and it lost me.

It’s well written, and there are bits of the worldbuilding that have potential, but the story just didn’t work for me as a whole.

“Shadows in the Wood” by Jennifer Roberson

Nothing to write home about, but I did actually enjoy this one. I grew up on stories like Robin Hood and King Arthur, and seeing them combined was just good fun. I also liked the bits about old magic and the importance of blood and sacrifice, as well as giving the story to Marian.

The Six Directions of Space by Alastair Reynolds

Read: 17 November, 2018

When I picked this book up from the library, I was surprised by how small it was – coming in at only 85 pages. Given the scope of the book, it’s no surprise that it doesn’t really spend enough time with any one part: The characters are interesting at a glimpse, but we don’t get much depth; the worldbuilding is interesting, but we don’t get much of it; the multiverse concept is interesting, but we see very little of it.

I wanted so much more from the worldbuilding, because, I mean, Mongols in SPAAAAAACE! But this spacefaring civilization, that doesn’t have much in the way of planetary terraforming and therefore mostly lives on stations and in domes, has ponies. Why? Because the Mongols had ponies. There was an opportunity to do something neat with Mongols adapting from a pony-based nomadic society into a ship-based one, but instead they cart literal horses around on ships. Beyond that, because of the nature of the main character’s work, we get very little on what daily life would be like for the average denizen of this civilisation, despite that being the most interesting part of the story.

The discovery of a multiverse is interesting, but it’s been done. The idea of alternate histories being formed around singular events gone differently is interesting, but that’s been done too. Without something more, this reads more like an outline or a pitch than a completed story. A story – both what we actually see covered in this book, plus its implied continuation – that could easily be a whole series. Instead of that, we get 85 pages. It just barely whets the appetite, then pulls the meal away at the last second. I’m greedy, and I want more.

Karen Memory by Elizabeth Bear

Read: 9 October, 2018

Karen Memory has all the fixings for an amazing story – Wild West steampunk featuring lesbians and Bass Reeves and a mecha-sewing machine? Bring it on!

Unfortunately, while I liked just about every individual component of this book, the whole didn’t work for me. Whatever it was, something about it didn’t click, and it took me forever to read.

Part of it is that I struggled to imagine a lot of what was being described. I understand that the built up roadways are based on the way Seattle was built up, but I just couldn’t picture it. Similarly, I have no idea what the sewing machine is supposed to look like. I know what sewing machines look like, and I know what mechabots look like, but the two combined? Whatever tinkering the characters were doing, I just don’t understand how the proper use of a sewing machine could involve getting into it, nor why it would have been equipped with arms and legs.

The book still gets four stars because, as I said, there was so much awesome there, even if it didn’t work for me.

The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer & Annie Barrows

Read: 9 September, 2018

A little while ago, I had friends over for dinner and one casually mentioned The Guernsey Literary and Potato Peel Pie Society as a favourite. So, of course, I made a mental note and tracked down information about the book and now have read it. Because my love-language is apparently knowing people’s favourite books, even if I never talk to them about the books or even mention that I know.

Amusingly, I mentioned to the same group of friends that I had started reading it, and her wife said, “That sounds familiar.” Clearly, she has a different love-language.

I loved this book. I could complain about it being a bit saccharine, but, honestly, I needed that to recover from the sprinklings of horror. I truly enjoyed Juliet’s humour and getting to revel in goodness for a while. That goodness never seemed particularly naive anyway, given the backdrop of World War II with its “Todt workers” and malnutrition and fascist policing.

The format worked really well. There are moments where characters are telling each other things that they already know for the reader’s benefit, but I was enjoying it all so much that I hardly noticed.

I was a little worried that the epistolary format would get dropped once Juliet actually went to Guernsey, but the authors had cleverly established the characters of Sidney, Sophia, and Susan before that point, so format could continue seamlessly.

There is romance, but it’s understated. Front and centre are the friendships, the history, and the piecing together the missing Elizabeth McKenna’s story. The “will they, won’t they” could have gotten annoying, especially as the two characters refuse to actually talk to one another in favour of making wild assumptions, but it’s so far in the background that it only feels joyful when they finally come together.

Jonathan Strange & Mr Norrell by Susanna Clarke

Read: 15 July, 2018

Set in the early part of the 19th century, this book does a magnificent job of capturing the narrative style and tone of books from that period. Of course, that means that it’s a bit of a slog – at around 800 pages, this book makes a great door stopper, and the pacing is very slow.

However, I found that listening to it on audiobook was perfect. I got to sit back, relax, and absorb the atmosphere of the period and worldbuilding – which is what most of this book is. There is a rescue/defeat the baddy near the end, but it’s not particularly climactic. For the most part, the book is about creating an alternate 19th century England with plausible magic.

I adored the worldbuilding. Clarke did a really good job of blending magic into the real world world history. Best of all, she did so in such a very British way – with a magic system that draws from both the common fairy stories as well as the more “noble” pursuit of alchemy.

The world felt complex and alive, and the slowness of the narrative gives the reader a change to settle into it. I do, however, recommend the audiobook, as the book is heavy enough to put wrists at risk.

Winternight Trilogy #2: The Girl in the Tower by Katherine Arden

Read: 9 April, 2018

It’s really quite hard to imagine how a book could be more up my alley. I love the culture and the religion, I love the historical fiction aspects, I love the fairy tales… This book is absolute literary luxury for me!

Just to make it even better, I found that the pacing and plot were, if anything, improved from the first book.

I did manage to guess who Kasyan was almost immediately, but I still enjoyed seeing how that would play out. Especially as Kasyan kept going back and forth between threatening and ally.

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Winternight Trilogy #1: The Bear and the Nightingale by Katherine Arden

Read: 3 March, 2018

When I started dating a young Russian gent, I started dating his culture, too. I got into Russian music, I started reading Russian fiction, I started collecting bits and bobs of Russian folkart. And my poor, dear, Russian beau, who fled the USSR and would really rather put the whole Russian thing behind them, tolerantly humours me.

All this is just to say that The Bear and the Nightingale is right up my alley.

The writings style has something of a fairy tale flavour to it, which tends to keep a bit of distance between reader and character. This took some getting used to, after the intensely intimate books I’ve been reading recently. But it fit the tone of the story perfectly.

I loved how rich the world feels – at once historical and magical, fantastical and plausible. I also loved Vasya, is was such a charmingly wild thing, without it coming off like it the narrative was trying to hard.

Learn from my fail: There is a glossary at the back for the Russian terms used in the book. You don’t actually have to keep bugging your spouse with questions. Though you certainly can, if you want to.

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Gaius Ruso Mystery #7: Vita Brevis by Ruth Downie

Read: 15 October, 2017

Ruso and Tilla head to Rome, their new baby in tow.

I like that Downie changes up the scenery every now and then. Britain is great, but it was nice to see Gaul in Persona Non Grata, and it’s lovely to see Rome here. And while Downie doesn’t exactly do vivid detail, the city certainly managed to come across satisfyingly noisy, dirty, and smelly.

As usual, the mystery is something of an afterthought. The main attraction is Tilla and Ruso, and now their expanded household. Adding Mara and the two slaves creates a whole new dynamic – not to mention nearly tripling the number of people Ruso has to support… somehow.

Narina has a lot of potential as a character, particularly with her tribal background. In Rome, Tilla seemed willing to ignore the traditional dislike between their tribes because Narina was, at least, from Britain. By the end of the book, the two women seem to have formed something of a friendship as they co-parent and face the dangers of Rome together. But I imagine that going back to Britain will highlight their tribal differences, and perhaps put a strain on their relationship. It’ll be interesting to see how that plays out.

The series is still going strong, and I can already see the threads of many new interesting plotlines starting, so I don’t see me losing interest any time soon.

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Jews Versus Zombies edited by Lavie Tidhar & Rebecca Levene

Read: 1 October, 2017

This is a wonderfully “niche” anthology, for that handful of people interested both in Judaism and zombies. Only two of the stories are the kinds of zombie stories you might find in Best New Zombie Tales, though even those have a very particularly Jewish flavour to them. The rest more explicitly use the undead concept to explore philosophy and Jewish identity.

I found that most of this collection is way over my head, and many terms are used that I’m simply not familiar with. This was clearly not compiled with a gentile audience in mind. That doesn’t mean that it isn’t worth reading as a gentile, however – even when I don’t feel like I really grasped a story, I still found something to enjoy in every single entry.

“Rise” by Rena Rossner

This story is essentially “12 Dancing Princesses,” except that the princesses are yeshiva students, and their partners are the corpses of holy rebetzin. While they dance, the zombie partners teach the boys about theology and philosophy. The eroticism and physicality of the learning reminded me quite a bit of some mystic cults.

“The Scapegoat Factory” by Ofir Touche Gafla

The central joke of the story is that all things are temporary – even death. A group of scientists use this assumptions to bring a group of dead back to life as zombies. Only, these zombies can’t simply return to their old lives, and they can’t die either. At the same time, there’s this whole other joke about a company called the “Scapegoat Factory” that supplies willing scapegoats for cold cases, to give the families a sense of closure. The story is very funny, but perhaps has a bit too much going on. The whole Scapegoat Factory bit could be written out entirely without affecting the story much (though, I suppose it would need a new title…).

“Like a Coin Entrusted in Faith” by Shimon Adaf

I think this one went a bit over my head. There are two stories: In one, a woman is chatting with an artificial intelligence when it “dies”. Meanwhile, a midwife is delivering demon babies. These two stories are related through the letters that two characters write to each other. It’s a bit odd, and I had a hard time separating what was reference and what was fiction.

“Ten for Sodom” by Daniel Polansky

The first real “zombie apocalypse” story in the collection, a lapsed Jew grapples with this faith as he faces the end of the world. While short and much more similar to the zombie stories I’m familiar with, this still offers an interesting and uniquely Jewish (albeit lapsed Jewish) perspective on the genre.

“The Friday People” by Sarah Lotz

The zombies are more ambiguous in this darkly amusing entry. The titular Friday People are the younger generation who meet briefly on their weekly visits to their older relatives – many doing so in the hopes of a future inheritance. Except that their relatives just won’t die, no matter what.

“Tractate Metim 28A” by Benjamin Rosenbaum

A lot of this one went right over my head, but it was still extremely amusing. A group of rabbis argue over matters pertaining to the purity of the undead. I’ve seen similar types arguments on the internet, and they are just wonderful.

“Wiseman’s Terror Tales” by Anna Tambour

A young man wants to design rockets, but seems destined to design bras instead. The zombies (again, somewhat ambiguous zombies, who seem far more explicitly metaphorical than they usually are) try to persuade him to choose a career. I enjoyed elements of this story, but something about it just didn’t grip me. Perhaps because the imagery, that would have worked better as a subtle pattern in a novel-length story, was too condensed, too thrown together. The final reveal went a long way to endear me to the story as a whole, though!

“Zayinim” by Adam Roberts

The collection ends with another ‘typical’ zombie story – this time we have some alternate history where Hitler wins WWII and gives everyone except the Jews an immortality drug. When the immortals’ minds degrade and they become zombies, the only true humans left are Jews. It’s an interesting consent, and a novel spin on an old idea. It didn’t hurt that the characters were fairly interesting as well.

Long Hidden edited by Rose Fox & Daniel José Older

Read: 22 September, 2017

This is one of the more consistent short story anthologies I’ve read – there are a few stories that I really didn’t like, but the writing quality is fairly consistent throughout. Like most anthologies, however, there are some stand out great stories, some weak entries, and a lot of somewhat unmemorable middling entries.

I really liked the variety of backgrounds and settings on display, and it was great to see cultures and experiences that I really haven’t gotten to see in fiction before. I also appreciated that the editors chose a variety of authors, from the well-known multi-published, to the first time sale – without compromising on quality.

“Ogres of East Africa” by Sofia Samatar

The collection opens with an interesting idea – the “story” is actually a catalogue of ogres, with the narrative taking place in the marginal notes. The ogres are creative, reminding me of Amos Tutuola’s ghosts, though they don’t have much bearing on the story beyond the set up. The narrative is a bit bare bones. It just presents us with a few interesting characters at a single point in time.

“The Oud” by Thoraiya Dyer

This story reminded me a lot of Wolf Winter. There was the same conflict between the personal story taking place within the household and the big political story taking place at a distance yet invariably spilling into the home. There was also the same competition between the old and the new religion, the same sense of isolation, the same smashing together of peasant and royal lives… It was sad, but in a dreamy sort of way. I really enjoyed this one.

“Free Jim’s Mine” by Tananarive Due

On the surface, this is a story about a young family trying to escape from slavery. But within that setting, Due has woven a fairy tale. It’s an interesting story with solid writing.

“Ffydd (Faith)” by S. Lynn

Set in Wales in the wake of the first world war, a family deals with the aftermath of their experiences. Shoehorned into this setting we get a vampire, who appears to be feeding off the chickens. I believe the family is meant to be Quaker, which I suppose have faced some amount of religious persecution in the past, and I guess you could say the same for the Welsh, but this comes right after a story about an escaping slave. It’s hard to see where it fits in the theme of the anthology. I found the story itself to be a bit of a slog – it just kept going and going, but didn’t have the either the writing or the characters to sustain interest in a “slice of life” narrative. Even the addition of a vampire couldn’t save it. As is, it felt like it was trying to be coy about the vampirism in lieu of having anything interesting happen, and I’ve just seen far too many vampires for that to work.

“Across the Seam” by Sunny Moraine

In this story, a trans coal miner is recognized as a woman by Baba Yaga. I wasn’t gripped by the story itself – it played out a little too predictably and there was quite a bit that I think just passed me by. But I really enjoyed the core premise. Knowing a few Baba Yaga stories, it fits quite well to have her recognize the woman inside the coal miner.

“Numbers” by Rion Amilcar Scott

Mobsters meet sirens! It’s an interesting idea, coming together to become a story about loyalty. The writing is good, just not to my taste.

“Each Part Without Mercy” by Meg Jayanth

The magic in the story happens through the use of dreams, as dreams are used in the conquest of a city, and then in an attempted assassination. I really liked the story, but I didn’t think it worked too well in that format. The world building was so interesting that I wish this were a novel – with more time to develop the characters and explore their relationships. But because the story tried to cover so much ground in such a small word count, it felt like the ending came out of nowhere and story lacked a satisfying resolution. I would gladly read this again as a full length novel.

“The Witch of Tarup” by Claire Humphrey

This one is a simple little story about witchcraft in rural Denmark. There’s no great twist or insight, just a solidly written little portrait. This is another one that I could easily see as a novel, where the author could better explore the relationships and setting. But while I liked the story, I really don’t see how it fits with the theme of the anthology.

“Marigolds” by L.S. Johnson

Lesbian prostitutes in Paris. The magic system is quite interesting – bringing together menstruation and female sexuality. It’s not something that I’ve seen too often in fiction, despite how much it comes up in culture studies. And while it’s lovely to get a story about lesbians with a happy ending, I’m rather put off by the “Paris prostitutes” setting. It just comes up too much and is way too fetishized.

“Diyu” by Robert William Iveniuk

The story begins as an interesting period piece set among the Chinese workers on the Canadian railroad, then gets some good Lovecraftian suspense going when an Eldritch horror appears (particularly satisfying given what a raging racist Lovecraft himself was)… But then the story ruins all of that built up good will by over-describing both the horror itself and its backstory. It even had the alien horror chatting! After such a strong beginning, all suspense was sucked right out of the story and it fizzles to a close.

“Collected Likenesses” by Jamey Hatley

This is a story about retributive magic and generational pain, exploring the aftermath of slavery. I found the second person narrative a bit jarring, as is the glimpse-by-glimpse narration. But despite these, it’s one of the collection’s strongest stories. It’s simple – easily summarised in a sentence – yet has quite a lot going on.

“Angela and the Scar” by Michael Janairo

In the Philippines, locals are losing the fight against the Yanquis until a forest spirit (kapfre) gets involved. This was one of the anthology’s middling entries – not great, not bad. It’s perfect filler. The idea of enlisting the land itself to aid in a freedom conflict is an interesting one (particularly in the context of guerrilla warfare), but the author doesn’t really do anything with it other than have it happen. I did like the way the kapfre was represented – it’s alien, and its help is very capriciously given. There’s a sense that it could just as easily (and happily) turn against the locals as against the Yanquis.

“The Colts” by Benjamin Parzybok

Another middling entry, this time about Hungarian zombies. The story takes place in a moment in time, as the main characters continue to act out the revolution that killed them while putting to rest the remainder of the living selves. The writing is solid, but this is another story that just doesn’t really do anything with its premise.

“Nine” by Kima Jones

I really didn’t like this one. The whole story seems to be exposition, yet I never actually got a feel for either the setting or the characters. The characters are puppetted through the story without appearing to really care about anything.

“The Heart and the Feather” by Christina Lynch

The story is about a family with Ambras Syndrome, or Hypertrichosis, which is characterised by abnormal hair growth over the whole body. This story didn’t really sit well with me. It uses real people and a real condition, but doesn’t really do anything with it – making it a bit of a spectacle. I struggled to see how this story fits with the theme of the anthology. The only thing I can think of is that it deals with the enslavement of the “Other” for entertainment, but the “Other” is presented as bestial, and that’s some very dangerous ground. There seems to be a lesson that the “Other” characters are good while it is the humans who are responsible for the evil happening in the story, but that’s undercut by having the responsible human be an actual, literal werewolf. So then what is the point, other than that some “Others” are fine, some are more at home in nature living as animals, and some eat children? I think this is the only story in the collection that I really disliked.

“A Score of Roses” by Troy L. Wiggins

This is a little story about two (magical?) people meeting and having a baby, and the baby is special in some way. The writing is solid and engaging, but the story doesn’t really go anywhere. It feels more like a first chapter than a complete story and, honestly, I can recall very little of this story now that a few days have passed since I read it.

“Neither Witch nor Fairy” by Nnghi Vo

This one is another story about a trans woman (or girl, in this case) being recognized by a supernatural creature. This time, the supernatural creatures are Irish. The setting lends a bit of an extra dimension to the self-discovery story, as the main character believes herself to be a Changeling, since she never feels like she fits as the boy she is thought to be. The story doesn’t stand out as anything special or particularly memorable, but it’s a solid entry.

“A Deeper Echo” by David Jón Fuller

This story read like heartbreaking wish fulfilment – a First Nations father, recently returned from fighting for the Canadian government, comes after his children who were stolen first by the schools, and then by a white woman. Oh, and also, he can change into a wolf. I’m attracted to the subject, so that may have carried me through a story that didn’t otherwise stand out. But this is certainly a solid addition to the anthology.

“Knotting Grass, Holding Ring” by Ken Liu

This is the first original story I’ve read by Liu, though I have read a few of his translations, and I absolutely loved it! The writing is lyrical, the setting is vivid, and the characters shone through brilliantly. This was by far one of my favourite stories in the collection!

“Jooni” by Kemba Banton

Another story with a bit too much exposition, but otherwise quite solid. The story takes place in a single moment as a freed slave deals with her trauma and recovers her sense of hope.

“There Will Be One Vacant Chair” by Sarah Pinsker

Hungarian Jews fight in the US Civil War while a disabled brother is forced to stay at home. The magic in this story involves reincarnation. This is another one that I think would have worked better as a longer piece – perhaps a novella. I would have liked more exploration into Julius’s theology.

“It’s War” by Nnedi Okorafor

This is another story that shows us its characters in a single moment, implying rather than narrating all that comes before and after. There’s a girl who can fly, there are women protesting taxation, and it all just kinda gets thrown together without explanation. It had a very similar feel to Okorafor’s Who Fears Death. The writing is fantastic, but I found something lacking in it as a story. I wanted either more about the protesters or more about the girl, but the two threads just didn’t seem to fit together.

“Find Me Unafraid” by Shanaé Brown

Booker warns Charlotte that the Klan is coming and holds her door strong against them. In the daylight hours, he gives her the money she will need to get herself and her family out of the small town where the mob in white sheets prowl. I enjoyed most of the story, but found the reveal at the end to be a little obvious and forced (the dialogue exposition, in particular, was clunky – especially since I had already picked up on most of the information that was being revealed). I’m also not sure how I feel about Charlotte having magical powers as well. I understand why she did, but it felt like a bit too much supernatural in a story that was otherwise more on the pleasantly ambiguous side. Overall, though, I found this to be one of the anthology’s stronger stories.

“A Wedding in Hungry Days” by Nicolette Barischoff

This was one of my favourite stories in the anthology! It’s the story of a ghost girl in rural China who marries a living boy. It’s practical and hard, but also very tender. It’s about caring for one’s family and creating a community. The narrative voice skipped around a bit, which I don’t like much in general and especially dislike in a short story, but that’s really my only complaint.

“Medu” by Lisa Bolekaja

What if Medusa the Gorgon were a black cowgirl? On the surface, the story is about a conflict between two types of magical humans (the Medusa-like and something like a xenomorph), but I felt a strong “natural hair movement” vibe from the story as well.

“Lone Women” by Victor LaValle

Adelaide is a settler heading out to her claim in Montana. With her is a creature, locked up in a trunk. As I was reading the anthology, I tried not to look at the author names or biographies before I read the stories so that my assumptions about their identities wouldn’t colour my perceptions. But when Adelaide turned out to be pregnant from a one night stand, I rolled my eyes and was utterly unsurprised to find that the author is a man. It’s not so much what happens as how, and the way in which it’s told. The story is fine, but suffers from both too much and not enough going on. There’s the story of the four boys, but that doesn’t get the ominous buildup it should have had and feels more like sequel-baiting rather than being impactful to this story. Then there’s the sisterhood angle, that seems to be looking disability and Otherness, but concludes by implying that disabled people are okay as long as they can be useful. I liked some parts of this story, but others made me quite uncomfortable.

“The Dance of the White Demons” by Sabrina Vourvoulias

The anthology ends with a strong story about native South American resistance against Spanish invaders. The story itself is great (and I would gladly read a novel-length version), but it’s also the perfect choice to end the book. It closes the anthology with a message of hope and survival even through times of oppression.