Long Hidden edited by Rose Fox & Daniel José Older

Read: 22 September, 2017

This is one of the more consistent short story anthologies I’ve read – there are a few stories that I really didn’t like, but the writing quality is fairly consistent throughout. Like most anthologies, however, there are some stand out great stories, some weak entries, and a lot of somewhat unmemorable middling entries.

I really liked the variety of backgrounds and settings on display, and it was great to see cultures and experiences that I really haven’t gotten to see in fiction before. I also appreciated that the editors chose a variety of authors, from the well-known multi-published, to the first time sale – without compromising on quality.

“Ogres of East Africa” by Sofia Samatar

The collection opens with an interesting idea – the “story” is actually a catalogue of ogres, with the narrative taking place in the marginal notes. The ogres are creative, reminding me of Amos Tutuola’s ghosts, though they don’t have much bearing on the story beyond the set up. The narrative is a bit bare bones. It just presents us with a few interesting characters at a single point in time.

“The Oud” by Thoraiya Dyer

This story reminded me a lot of Wolf Winter. There was the same conflict between the personal story taking place within the household and the big political story taking place at a distance yet invariably spilling into the home. There was also the same competition between the old and the new religion, the same sense of isolation, the same smashing together of peasant and royal lives… It was sad, but in a dreamy sort of way. I really enjoyed this one.

“Free Jim’s Mine” by Tananarive Due

On the surface, this is a story about a young family trying to escape from slavery. But within that setting, Due has woven a fairy tale. It’s an interesting story with solid writing.

“Ffydd (Faith)” by S. Lynn

Set in Wales in the wake of the first world war, a family deals with the aftermath of their experiences. Shoehorned into this setting we get a vampire, who appears to be feeding off the chickens. I believe the family is meant to be Quaker, which I suppose have faced some amount of religious persecution in the past, and I guess you could say the same for the Welsh, but this comes right after a story about an escaping slave. It’s hard to see where it fits in the theme of the anthology. I found the story itself to be a bit of a slog – it just kept going and going, but didn’t have the either the writing or the characters to sustain interest in a “slice of life” narrative. Even the addition of a vampire couldn’t save it. As is, it felt like it was trying to be coy about the vampirism in lieu of having anything interesting happen, and I’ve just seen far too many vampires for that to work.

“Across the Seam” by Sunny Moraine

In this story, a trans coal miner is recognized as a woman by Baba Yaga. I wasn’t gripped by the story itself – it played out a little too predictably and there was quite a bit that I think just passed me by. But I really enjoyed the core premise. Knowing a few Baba Yaga stories, it fits quite well to have her recognize the woman inside the coal miner.

“Numbers” by Rion Amilcar Scott

Mobsters meet sirens! It’s an interesting idea, coming together to become a story about loyalty. The writing is good, just not to my taste.

“Each Part Without Mercy” by Meg Jayanth

The magic in the story happens through the use of dreams, as dreams are used in the conquest of a city, and then in an attempted assassination. I really liked the story, but I didn’t think it worked too well in that format. The world building was so interesting that I wish this were a novel – with more time to develop the characters and explore their relationships. But because the story tried to cover so much ground in such a small word count, it felt like the ending came out of nowhere and story lacked a satisfying resolution. I would gladly read this again as a full length novel.

“The Witch of Tarup” by Claire Humphrey

This one is a simple little story about witchcraft in rural Denmark. There’s no great twist or insight, just a solidly written little portrait. This is another one that I could easily see as a novel, where the author could better explore the relationships and setting. But while I liked the story, I really don’t see how it fits with the theme of the anthology.

“Marigolds” by L.S. Johnson

Lesbian prostitutes in Paris. The magic system is quite interesting – bringing together menstruation and female sexuality. It’s not something that I’ve seen too often in fiction, despite how much it comes up in culture studies. And while it’s lovely to get a story about lesbians with a happy ending, I’m rather put off by the “Paris prostitutes” setting. It just comes up too much and is way too fetishized.

“Diyu” by Robert William Iveniuk

The story begins as an interesting period piece set among the Chinese workers on the Canadian railroad, then gets some good Lovecraftian suspense going when an Eldritch horror appears (particularly satisfying given what a raging racist Lovecraft himself was)… But then the story ruins all of that built up good will by over-describing both the horror itself and its backstory. It even had the alien horror chatting! After such a strong beginning, all suspense was sucked right out of the story and it fizzles to a close.

“Collected Likenesses” by Jamey Hatley

This is a story about retributive magic and generational pain, exploring the aftermath of slavery. I found the second person narrative a bit jarring, as is the glimpse-by-glimpse narration. But despite these, it’s one of the collection’s strongest stories. It’s simple – easily summarised in a sentence – yet has quite a lot going on.

“Angela and the Scar” by Michael Janairo

In the Philippines, locals are losing the fight against the Yanquis until a forest spirit (kapfre) gets involved. This was one of the anthology’s middling entries – not great, not bad. It’s perfect filler. The idea of enlisting the land itself to aid in a freedom conflict is an interesting one (particularly in the context of guerrilla warfare), but the author doesn’t really do anything with it other than have it happen. I did like the way the kapfre was represented – it’s alien, and its help is very capriciously given. There’s a sense that it could just as easily (and happily) turn against the locals as against the Yanquis.

“The Colts” by Benjamin Parzybok

Another middling entry, this time about Hungarian zombies. The story takes place in a moment in time, as the main characters continue to act out the revolution that killed them while putting to rest the remainder of the living selves. The writing is solid, but this is another story that just doesn’t really do anything with its premise.

“Nine” by Kima Jones

I really didn’t like this one. The whole story seems to be exposition, yet I never actually got a feel for either the setting or the characters. The characters are puppetted through the story without appearing to really care about anything.

“The Heart and the Feather” by Christina Lynch

The story is about a family with Ambras Syndrome, or Hypertrichosis, which is characterised by abnormal hair growth over the whole body. This story didn’t really sit well with me. It uses real people and a real condition, but doesn’t really do anything with it – making it a bit of a spectacle. I struggled to see how this story fits with the theme of the anthology. The only thing I can think of is that it deals with the enslavement of the “Other” for entertainment, but the “Other” is presented as bestial, and that’s some very dangerous ground. There seems to be a lesson that the “Other” characters are good while it is the humans who are responsible for the evil happening in the story, but that’s undercut by having the responsible human be an actual, literal werewolf. So then what is the point, other than that some “Others” are fine, some are more at home in nature living as animals, and some eat children? I think this is the only story in the collection that I really disliked.

“A Score of Roses” by Troy L. Wiggins

This is a little story about two (magical?) people meeting and having a baby, and the baby is special in some way. The writing is solid and engaging, but the story doesn’t really go anywhere. It feels more like a first chapter than a complete story and, honestly, I can recall very little of this story now that a few days have passed since I read it.

“Neither Witch nor Fairy” by Nnghi Vo

This one is another story about a trans woman (or girl, in this case) being recognized by a supernatural creature. This time, the supernatural creatures are Irish. The setting lends a bit of an extra dimension to the self-discovery story, as the main character believes herself to be a Changeling, since she never feels like she fits as the boy she is thought to be. The story doesn’t stand out as anything special or particularly memorable, but it’s a solid entry.

“A Deeper Echo” by David Jón Fuller

This story read like heartbreaking wish fulfilment – a First Nations father, recently returned from fighting for the Canadian government, comes after his children who were stolen first by the schools, and then by a white woman. Oh, and also, he can change into a wolf. I’m attracted to the subject, so that may have carried me through a story that didn’t otherwise stand out. But this is certainly a solid addition to the anthology.

“Knotting Grass, Holding Ring” by Ken Liu

This is the first original story I’ve read by Liu, though I have read a few of his translations, and I absolutely loved it! The writing is lyrical, the setting is vivid, and the characters shone through brilliantly. This was by far one of my favourite stories in the collection!

“Jooni” by Kemba Banton

Another story with a bit too much exposition, but otherwise quite solid. The story takes place in a single moment as a freed slave deals with her trauma and recovers her sense of hope.

“There Will Be One Vacant Chair” by Sarah Pinsker

Hungarian Jews fight in the US Civil War while a disabled brother is forced to stay at home. The magic in this story involves reincarnation. This is another one that I think would have worked better as a longer piece – perhaps a novella. I would have liked more exploration into Julius’s theology.

“It’s War” by Nnedi Okorafor

This is another story that shows us its characters in a single moment, implying rather than narrating all that comes before and after. There’s a girl who can fly, there are women protesting taxation, and it all just kinda gets thrown together without explanation. It had a very similar feel to Okorafor’s Who Fears Death. The writing is fantastic, but I found something lacking in it as a story. I wanted either more about the protesters or more about the girl, but the two threads just didn’t seem to fit together.

“Find Me Unafraid” by Shanaé Brown

Booker warns Charlotte that the Klan is coming and holds her door strong against them. In the daylight hours, he gives her the money she will need to get herself and her family out of the small town where the mob in white sheets prowl. I enjoyed most of the story, but found the reveal at the end to be a little obvious and forced (the dialogue exposition, in particular, was clunky – especially since I had already picked up on most of the information that was being revealed). I’m also not sure how I feel about Charlotte having magical powers as well. I understand why she did, but it felt like a bit too much supernatural in a story that was otherwise more on the pleasantly ambiguous side. Overall, though, I found this to be one of the anthology’s stronger stories.

“A Wedding in Hungry Days” by Nicolette Barischoff

This was one of my favourite stories in the anthology! It’s the story of a ghost girl in rural China who marries a living boy. It’s practical and hard, but also very tender. It’s about caring for one’s family and creating a community. The narrative voice skipped around a bit, which I don’t like much in general and especially dislike in a short story, but that’s really my only complaint.

“Medu” by Lisa Bolekaja

What if Medusa the Gorgon were a black cowgirl? On the surface, the story is about a conflict between two types of magical humans (the Medusa-like and something like a xenomorph), but I felt a strong “natural hair movement” vibe from the story as well.

“Lone Women” by Victor LaValle

Adelaide is a settler heading out to her claim in Montana. With her is a creature, locked up in a trunk. As I was reading the anthology, I tried not to look at the author names or biographies before I read the stories so that my assumptions about their identities wouldn’t colour my perceptions. But when Adelaide turned out to be pregnant from a one night stand, I rolled my eyes and was utterly unsurprised to find that the author is a man. It’s not so much what happens as how, and the way in which it’s told. The story is fine, but suffers from both too much and not enough going on. There’s the story of the four boys, but that doesn’t get the ominous buildup it should have had and feels more like sequel-baiting rather than being impactful to this story. Then there’s the sisterhood angle, that seems to be looking disability and Otherness, but concludes by implying that disabled people are okay as long as they can be useful. I liked some parts of this story, but others made me quite uncomfortable.

“The Dance of the White Demons” by Sabrina Vourvoulias

The anthology ends with a strong story about native South American resistance against Spanish invaders. The story itself is great (and I would gladly read a novel-length version), but it’s also the perfect choice to end the book. It closes the anthology with a message of hope and survival even through times of oppression.

The Kite Runner by Khaled Hosseini

Read: 30 January, 2013

Amir grew up in Kabul, Afghanistan, with his father, his servant, and his servant’s son. The two boys grew up without mothers, and they were raised nearly as close as brothers. But soon after the Russians invaded, an event changed both of their lives forever.

The descriptions were wonderful and I feel that I learned quite a bit about Afghani history and culture. In particular, I quite enjoyed the comparisons between the Afghanistan prior to the Russian invasion and the Afghanistan many years later, once it had fallen under the control of the Taliban.

The book is very obviously a fictional account – though it’s written as if it were a memoir, there are several instances of far too perfect resonance  such as the mirroring between the events of Amir’s childhood and his return to Afghanistan as an adult. This would ordinarily be fine, but it felt far too clunky in The Kite Runner, perhaps because the author felt the need to keep reminding his readers about it – “look, look! He has a split lip! Just like Hassan!”

There were quite a few issues in the novel with the treatment of women. Amir acknowledges several times that he “won the genetic lottery” as far as gender is concerned, but he never seems to actually do anything to mitigate this. In fact, again and again, he just seems to make things worse, as when he speaks to Soraya without her father present, knowing and acknowledging that she would be the one to suffer from the gossip that would result.

The descriptions of Hassan and his father, Ali, were disturbing. I realize that they are supposed to be martyrs and that their suffering is supposed to be all the more poignant because of their exaggerated innocence, but the fact that they are also members of the servant class makes this problematic. They are Perfect Servants, knowing exactly what their masters want at all times (even to the point of what appears to be mind reading), and are utterly self-sacrificial (literally, in Hassan’s case) in serving their masters. And this is presented as a mutual relationship, in which both Hassan and Amir are at their happiest when the former is serving the latter.

I also had some issues with Amir’s absolution. I don’t want to give too much away, but basically he has to perform a task in order to “make right” with Hassan. Thing is, he never really performs that task. He takes a beating, realises that he feels wonderfully sin-free, and then the task performs itself. It’s a very odd, impotent sort of cleansing.

The last issue I had with the book is possibly the greatest one. Amir essentially gets custody of a child who has been through some pretty horrific experiences, including sexual abuse that has lasted for at least a month. His first reaction to this is to keep touching the child (despite the child’s obvious reticence) until the child finally starts submitting. After some more stuff happens, he just kinda lives with the child and waits out the “issues” until, in a big redemptive moment, the kid may or may not begin to smile again. Yay, right? Except that at no point does he mention getting professional help for this child. I’m sure that there are refugee support groups or at least therapists who specialise in sexual abuse who may be able to help. But no, it’s just something that the child is expected to get over on his own. It left me with a really bad taste in my mouth for Amir and his wife, as they are this child’s sole lifeline and they seem so utterly oblivious to his needs.

Despite all the issues, I did really enjoy the book until Amir leaves the hospital after his “redemption.” At this point, his total inadequacy in caring properly for the child just made me angry.

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The God of Small Things by Arundhati Roy

Read: 29 December, 2012

Esthappen has been re-Returned to the house in Ayemenem, and his two-egg twin Rahel is there to meet him. Years have passed since the Terror and the tragedy of Sophie Mol’s death, but the wounds are still fresh.

The narrative bounces all over the place. The “now” takes place when Esthappen and Rahel are adults, but they are children through much of the book, and the narrative flows around them and other characters, giving each a biography in turn, so that the timeline encompassed is actually about a century long. Despite this, it was surprisingly easy to follow once I had a grasp of the general outline.

The writing style is heavily focused on the senses, so that very few things or people are mentioned without lengthy sense-based comparisons. It’s all rather poetic, and I found it quite interesting to follow – particularly when these comparisons are used to link people and events.

The centre of the story – Sophie Mol’s death – is revealed from the beginning, but the details are danced around through the whole novel. I found it rather frustrating, since the event is brought up again and again throughout, but what the event really was or what it meant is withheld until the very end. On the other hand, the climax revelation was far more effective once I’d come to know the whole cast of characters.

I found the writing style to be quite beautiful, though I often found myself carried away by the cadence of it and forgetting to absorb the meaning – though fatigue may also have had something to do with this.

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Life of Pi by Yann Martel

Read: 2005

Piscine Molitor Patel (known to all as Pi Patel) is the son of a zoo owner. He’s an exceptionally bright young man and shows his maturity quite clearly when it comes to religion. He’s a Muslim, a Hindu, and a Christian, all at the same time. But soon, political discontent drives his family out of India and towards Canada. The zoo is sold, the bags are packed, and the whole family (including several animals on their way to American zoos) board the Tsimtsum, a Japanese cargo ship with a Taiwanese crew.

“The ship sunk,” begins Part II. From that point on, this is a story of survival against amazing odds. Not only does Pi Patel survive 227 days in the Pacific Ocean, but he does it in the company of an adult male Bengal tiger named Richard Parker.

The thing I love most about this book is the fact that you can read it once and interpret the story one way, but then you can read it again and see everything differently. The revelation of Part III is certainly really good food for thought. There’s the literal interpretation of seeing the boy on a life-raft with a tiger. Then there is the alternative story given at the end of the boy on a life-raft struggling with his inner beast while trying to keep his humanity. Then, of course, there’s the third possibility that the entire story is complete fiction and is just about a boy maturing and struggling with the different influences in his life. It’s easy, especially as an English major, to really read too far into books and see things that just aren’t there. But I think Yann Martel makes it quite clear that all three of these interpretations are intentional. Heck, he even gives us two of them up front!

Another thing I loved about the story was the three part system. Part I deals with introducing Pi and the society he is coming out of. I found that what I read in Part I really brought Pi to life and let me identify with him enough that I really cared about what happened to him in Part II. I had bonded with him enough that when he suffered in Part II, I suffered as well. When he started to lose touch with his humanity (like when he suddenly notices that he’s eating like a tiger), I really feared for him. Thank goodness Part I ends with the message: “This story has a happy ending.” I think it would have been very difficult and painful to read otherwise. Part II is his struggle on the raft. Part III is his interview in which he explains what happens. I found this to be a really important part. It’s also a very interesting part in its function. It serves not only to ridicule the idea that the concept of the book (a boy surviving that long in the pacific with a tiger) is preposterous, but also serves to introduce a whole new perspective and the possibility that none of it might have happened at all (I mean that within the book’s fictional world).

Several people I have spoken to have said that the transition is too abrupt. Of course, it would have to be since that’s exactly what it was for Pi Patel: abrupt. But I’ve heard many times that there’s too much character development at the beginning to wade through before getting to the meat of the story. To each her own, I suppose.

One final fantastic point I just want to bring up in relation to the two possible stories offered by Martel is the idea that the more interesting story is more important than the story that is true. So that’s what Martel leaves us with: “Which is the better story, the story with animals or the story without animals?” Which is more important to you, a good story or the truth?

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The Beetle by Richard Marsh

Read: 2004

As wikipedia puts it, The Beetle is a xenophobic story about an evil oriental antagonist wreaking havoc about London with his powers of hypnotism and shape-shifting. Unfortunately, I don’t remember too many of the plot details as it’s been about two years since I’ve read it.

I do remember enjoying the novel quite a bit, though. I’ve always enjoyed the use of multiple narrators and the suspense is well-maintained from begining to end. The only flaw, and, unfortunately, its a real doozy, is the ending. The tension mounts and mounts and the climax builds and then BAM! Train crash! Damsel saved and evil guy killed! How disappointing…

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