I Can’t Think Straight by Shamim Sarif

Read: 13 September, 2018

Romance isn’t my normal genre, but a book about a Christian Palestinian woman from Lebanon falling in love with a Muslim British Indian woman? I mean, how could I pass something like that up?

I was a little disappointed that, for a romance book, this had almost no romance in it. Tala and Leyla are ostensibly in love, but they spend no time together. They get into a “debate” when they first meet, which consists entirely of Tala being a prat and needling at Leyla about her beliefs. They go on a date that we barely get to see, spending more time on a summary after the fact than in the moment. Then they go on a weekend trip where they have sex for the first time and everything else that happens is off-stage. For the rest of the book, Tala and Leyla are separated (mostly in entirely different countries) and not interacting at all.

We are told that they are in love, but we don’t get to see them in love. If they aren’t fighting, Tala is stalking Leyla while Leyla tries to avoid her. They have very little chemistry, at least as far as I could tell.

Then again, it would be hard for them to have chemistry when they barely have personalities. Both seem to act, feel, and say whatever the plot needs them to, and, when we do get personal details about them, those details are frustratingly superficial. Leyla is a writer, but a writer of what? Tala loves her two published stories, but what are they about? What does she like about them? What do they tell Tala about who Leyla is as a person?

Tala, for her part, is starting a business to sell candles and things manufactured in Lebanon. She talks about how much of a difference this could make to the lives of the people making her products, but then it’s dropped and she never really seems to care about the poor after that. She never seems to have any particular interest in the things she sells, either. She never shows some of her wares off to Leyla, never tells her about the sweet old widow who can afford to care for her grandson now that she’s picked up candle-making, never brings Leyla to meet a family making her products.

The story is more about Tala and Leyla’s families. They are mostly one-dimensional, but they are interestingly so. There’s a good story to be had in how each individual family member reacts to Tala and Leyla’s relationship. Some of it has made it onto the page, but the story ends quickly after the women come out, so we don’t get to spend too much time in each family member’s head.

My last complaint is that the book really could have used an extra round of editing. There are some questionable word choices, as well as some muddled timelines (the example the pops immediately to mind is in chapter 5: Ali calls Leyla on Sunday night, then Leyla and Tala go on a date the next evening, and then Leyla goes shopping with her mom the day after that, a Monday). These are silly issues that shouldn’t have made it into final print.

All that said, the book is competently written. This was in no danger of going into my Did Not Finish pile! I was interested from start to finish, and I wanted to see where it was going. I liked most of the characters, I just felt that Leyla and Tala were short-changed. Ideally, this book would have been 100 pages longer, with a nice big section near the beginning where Leyla and Tala see each other and talk, and where we get a chance to understand why they love each other.

The Guernsey Literary and Potato Peel Pie Society by Mary Ann Shaffer & Annie Barrows

Read: 9 September, 2018

A little while ago, I had friends over for dinner and one casually mentioned The Guernsey Literary and Potato Peel Pie Society as a favourite. So, of course, I made a mental note and tracked down information about the book and now have read it. Because my love-language is apparently knowing people’s favourite books, even if I never talk to them about the books or even mention that I know.

Amusingly, I mentioned to the same group of friends that I had started reading it, and her wife said, “That sounds familiar.” Clearly, she has a different love-language.

I loved this book. I could complain about it being a bit saccharine, but, honestly, I needed that to recover from the sprinklings of horror. I truly enjoyed Juliet’s humour and getting to revel in goodness for a while. That goodness never seemed particularly naive anyway, given the backdrop of World War II with its “Todt workers” and malnutrition and fascist policing.

The format worked really well. There are moments where characters are telling each other things that they already know for the reader’s benefit, but I was enjoying it all so much that I hardly noticed.

I was a little worried that the epistolary format would get dropped once Juliet actually went to Guernsey, but the authors had cleverly established the characters of Sidney, Sophia, and Susan before that point, so format could continue seamlessly.

There is romance, but it’s understated. Front and centre are the friendships, the history, and the piecing together the missing Elizabeth McKenna’s story. The “will they, won’t they” could have gotten annoying, especially as the two characters refuse to actually talk to one another in favour of making wild assumptions, but it’s so far in the background that it only feels joyful when they finally come together.

Good Omens by Terry Pratchett and Neil Gaiman

Read: 1 September, 2018

I’d be really interested to find out how Pratchett and Gaiman collaborated on this book, because the narrative is a perfect meshing of their two styles. I recognised so much that was distinctively Pratchett or distinctively Gaiman, but all blended together to make a fantastic amalgam style with both footnote humour and mythic humour.

Some of the jokes haven’t aged too well, particularly where gender is concerned. The book also has a very ’90s/Fern Gully sort of environmental message that dates it rather unmistakably.

Other than that, though, this was wonderful.

Jonathan Strange & Mr Norrell by Susanna Clarke

Read: 15 July, 2018

Set in the early part of the 19th century, this book does a magnificent job of capturing the narrative style and tone of books from that period. Of course, that means that it’s a bit of a slog – at around 800 pages, this book makes a great door stopper, and the pacing is very slow.

However, I found that listening to it on audiobook was perfect. I got to sit back, relax, and absorb the atmosphere of the period and worldbuilding – which is what most of this book is. There is a rescue/defeat the baddy near the end, but it’s not particularly climactic. For the most part, the book is about creating an alternate 19th century England with plausible magic.

I adored the worldbuilding. Clarke did a really good job of blending magic into the real world world history. Best of all, she did so in such a very British way – with a magic system that draws from both the common fairy stories as well as the more “noble” pursuit of alchemy.

The world felt complex and alive, and the slowness of the narrative gives the reader a change to settle into it. I do, however, recommend the audiobook, as the book is heavy enough to put wrists at risk.

Matilda by Roald Dahl

Read: 7 June, 2018

Overall, my seven-year-old and I found this to be an enjoyable read, though it lacked focus. The “main plot” doesn’t get started until about halfway through, and Matilda suddenly gets magical powers (the first hint of the supernatural) just a few chapters from the end.

At the same time, the chapters don’t quite work for this to be an episodic type of story. Several stories span more than one chapter, and chapter lengths vary quite a bit – which meant that some nights we read long enough for my throat to get sore, while other nights we barely seemed to read at all.

But for all that, the story is amusing, and I loved Matilda’s “get even” attitude. Both my kid and I thoroughly enjoyed the over-the-top baddies.

The Ocean at the End of the Lane by Neil Gaiman

Read: 15 May, 2018

I picked this book up without knowing a thing about it, except that I was somehow under the impression that it was autobiographical. In fact, I put off reading it for a while for that exact reason – I almost always enjoy Gaiman’s writings, but I wasn’t particularly interested in the author himself.

Some weird stuff started happening, but it was all fairly plausible. And I figured it was just some writerly hyperbole.

Then some really weird stuff started happening, and only then did I figure out that I was reading fiction. So that was a pretty fun trip!

On the story itself, I loved the realism of it – how well the mythology was integrated into the “real world” of the story. I would have liked a more active protagonist, and I think that the Hempstocks did a bit too much infodumping (two problems that could have solved each other, if the protagonist could have used all his reading about mythology to figure out some of what was going on), but it’s a small complaint.

Overall, this is a lovely little story with some surprisingly dark turns.

Then She Was Gone by Lisa Jewell

Read: 26 February, 2018

Disclosure: I got an ARC copy through the GoodReads giveaways.

Though not my usual genre, I quite enjoyed this book. The mystery isn’t too much of a mystery – the baddie is revealed almost immediately, and then it’s just a matter of finding out just how much various other characters might be complicit, and the details of what happened.

But the writing is very compelling, and I couldn’t wait to find out what would happen to the main characters.

Vorkosigan Saga #12: Brothers in Arms by Lois McMaster Bujold

Read: 18 February, 2018

I was very clever and read the “Borders of Infinity” novella before coming back to this book. While the book Borders of Infinity comes next in the chronological order, the novella (which can be found in the book) comes just before Brothers in Arms. While it isn’t absolutely necessary to read them in that order, much of Brothers in Arms is dealing with the aftermath of the story in “Borders of Infinity”, so I do think it’s best to read them in order. What I did was read all the novellas in Borders of Infinity, then come back and read Brothers in Arms, then read the framing device in Borders of Infinity.

It’s probably no surprise that I really loved this one. So far, the Vorkosigan has been a whole lot more hit than miss. I love the dissection of identity and personhood, and I love the exploration of how wartime actions and choices can keep coming back to haunt whole lineages.

We haven’t heard much about Earth so far in the series, so it was interesting to see how Bujold sees the future right here at home.

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What Made Them Great: Marie Curie by Mary Montgomery

Read: 29 September, 2017

This is a biography intended for children. First published in 1981 (my edition was published in 1990), the writing and artwork for this book are a little dated, but there isn’t anything too offensive to modern sensibilities.

I quite liked the emphasis on Marie Curie’s hard work, her perseverance. In fact, there was quite a bit there about her character – her generosity, her self-sacrifice for others, her dedication even when things were difficult, etc. For whatever reason, I haven’t been seeing that sort of explicit mention of character models in other biographies I’ve read with my kid. It was particularly good because some of the traits discussed are specifically things that my kid struggles with, so it gave us some nice ‘teachable moments.’

There’s also a section at the end about radiation. While not exactly cutting edge, the information is no more dated than what most high school students would be exposed to.

Long Hidden edited by Rose Fox & Daniel José Older

Read: 22 September, 2017

This is one of the more consistent short story anthologies I’ve read – there are a few stories that I really didn’t like, but the writing quality is fairly consistent throughout. Like most anthologies, however, there are some stand out great stories, some weak entries, and a lot of somewhat unmemorable middling entries.

I really liked the variety of backgrounds and settings on display, and it was great to see cultures and experiences that I really haven’t gotten to see in fiction before. I also appreciated that the editors chose a variety of authors, from the well-known multi-published, to the first time sale – without compromising on quality.

“Ogres of East Africa” by Sofia Samatar

The collection opens with an interesting idea – the “story” is actually a catalogue of ogres, with the narrative taking place in the marginal notes. The ogres are creative, reminding me of Amos Tutuola’s ghosts, though they don’t have much bearing on the story beyond the set up. The narrative is a bit bare bones. It just presents us with a few interesting characters at a single point in time.

“The Oud” by Thoraiya Dyer

This story reminded me a lot of Wolf Winter. There was the same conflict between the personal story taking place within the household and the big political story taking place at a distance yet invariably spilling into the home. There was also the same competition between the old and the new religion, the same sense of isolation, the same smashing together of peasant and royal lives… It was sad, but in a dreamy sort of way. I really enjoyed this one.

“Free Jim’s Mine” by Tananarive Due

On the surface, this is a story about a young family trying to escape from slavery. But within that setting, Due has woven a fairy tale. It’s an interesting story with solid writing.

“Ffydd (Faith)” by S. Lynn

Set in Wales in the wake of the first world war, a family deals with the aftermath of their experiences. Shoehorned into this setting we get a vampire, who appears to be feeding off the chickens. I believe the family is meant to be Quaker, which I suppose have faced some amount of religious persecution in the past, and I guess you could say the same for the Welsh, but this comes right after a story about an escaping slave. It’s hard to see where it fits in the theme of the anthology. I found the story itself to be a bit of a slog – it just kept going and going, but didn’t have the either the writing or the characters to sustain interest in a “slice of life” narrative. Even the addition of a vampire couldn’t save it. As is, it felt like it was trying to be coy about the vampirism in lieu of having anything interesting happen, and I’ve just seen far too many vampires for that to work.

“Across the Seam” by Sunny Moraine

In this story, a trans coal miner is recognized as a woman by Baba Yaga. I wasn’t gripped by the story itself – it played out a little too predictably and there was quite a bit that I think just passed me by. But I really enjoyed the core premise. Knowing a few Baba Yaga stories, it fits quite well to have her recognize the woman inside the coal miner.

“Numbers” by Rion Amilcar Scott

Mobsters meet sirens! It’s an interesting idea, coming together to become a story about loyalty. The writing is good, just not to my taste.

“Each Part Without Mercy” by Meg Jayanth

The magic in the story happens through the use of dreams, as dreams are used in the conquest of a city, and then in an attempted assassination. I really liked the story, but I didn’t think it worked too well in that format. The world building was so interesting that I wish this were a novel – with more time to develop the characters and explore their relationships. But because the story tried to cover so much ground in such a small word count, it felt like the ending came out of nowhere and story lacked a satisfying resolution. I would gladly read this again as a full length novel.

“The Witch of Tarup” by Claire Humphrey

This one is a simple little story about witchcraft in rural Denmark. There’s no great twist or insight, just a solidly written little portrait. This is another one that I could easily see as a novel, where the author could better explore the relationships and setting. But while I liked the story, I really don’t see how it fits with the theme of the anthology.

“Marigolds” by L.S. Johnson

Lesbian prostitutes in Paris. The magic system is quite interesting – bringing together menstruation and female sexuality. It’s not something that I’ve seen too often in fiction, despite how much it comes up in culture studies. And while it’s lovely to get a story about lesbians with a happy ending, I’m rather put off by the “Paris prostitutes” setting. It just comes up too much and is way too fetishized.

“Diyu” by Robert William Iveniuk

The story begins as an interesting period piece set among the Chinese workers on the Canadian railroad, then gets some good Lovecraftian suspense going when an Eldritch horror appears (particularly satisfying given what a raging racist Lovecraft himself was)… But then the story ruins all of that built up good will by over-describing both the horror itself and its backstory. It even had the alien horror chatting! After such a strong beginning, all suspense was sucked right out of the story and it fizzles to a close.

“Collected Likenesses” by Jamey Hatley

This is a story about retributive magic and generational pain, exploring the aftermath of slavery. I found the second person narrative a bit jarring, as is the glimpse-by-glimpse narration. But despite these, it’s one of the collection’s strongest stories. It’s simple – easily summarised in a sentence – yet has quite a lot going on.

“Angela and the Scar” by Michael Janairo

In the Philippines, locals are losing the fight against the Yanquis until a forest spirit (kapfre) gets involved. This was one of the anthology’s middling entries – not great, not bad. It’s perfect filler. The idea of enlisting the land itself to aid in a freedom conflict is an interesting one (particularly in the context of guerrilla warfare), but the author doesn’t really do anything with it other than have it happen. I did like the way the kapfre was represented – it’s alien, and its help is very capriciously given. There’s a sense that it could just as easily (and happily) turn against the locals as against the Yanquis.

“The Colts” by Benjamin Parzybok

Another middling entry, this time about Hungarian zombies. The story takes place in a moment in time, as the main characters continue to act out the revolution that killed them while putting to rest the remainder of the living selves. The writing is solid, but this is another story that just doesn’t really do anything with its premise.

“Nine” by Kima Jones

I really didn’t like this one. The whole story seems to be exposition, yet I never actually got a feel for either the setting or the characters. The characters are puppetted through the story without appearing to really care about anything.

“The Heart and the Feather” by Christina Lynch

The story is about a family with Ambras Syndrome, or Hypertrichosis, which is characterised by abnormal hair growth over the whole body. This story didn’t really sit well with me. It uses real people and a real condition, but doesn’t really do anything with it – making it a bit of a spectacle. I struggled to see how this story fits with the theme of the anthology. The only thing I can think of is that it deals with the enslavement of the “Other” for entertainment, but the “Other” is presented as bestial, and that’s some very dangerous ground. There seems to be a lesson that the “Other” characters are good while it is the humans who are responsible for the evil happening in the story, but that’s undercut by having the responsible human be an actual, literal werewolf. So then what is the point, other than that some “Others” are fine, some are more at home in nature living as animals, and some eat children? I think this is the only story in the collection that I really disliked.

“A Score of Roses” by Troy L. Wiggins

This is a little story about two (magical?) people meeting and having a baby, and the baby is special in some way. The writing is solid and engaging, but the story doesn’t really go anywhere. It feels more like a first chapter than a complete story and, honestly, I can recall very little of this story now that a few days have passed since I read it.

“Neither Witch nor Fairy” by Nnghi Vo

This one is another story about a trans woman (or girl, in this case) being recognized by a supernatural creature. This time, the supernatural creatures are Irish. The setting lends a bit of an extra dimension to the self-discovery story, as the main character believes herself to be a Changeling, since she never feels like she fits as the boy she is thought to be. The story doesn’t stand out as anything special or particularly memorable, but it’s a solid entry.

“A Deeper Echo” by David Jón Fuller

This story read like heartbreaking wish fulfilment – a First Nations father, recently returned from fighting for the Canadian government, comes after his children who were stolen first by the schools, and then by a white woman. Oh, and also, he can change into a wolf. I’m attracted to the subject, so that may have carried me through a story that didn’t otherwise stand out. But this is certainly a solid addition to the anthology.

“Knotting Grass, Holding Ring” by Ken Liu

This is the first original story I’ve read by Liu, though I have read a few of his translations, and I absolutely loved it! The writing is lyrical, the setting is vivid, and the characters shone through brilliantly. This was by far one of my favourite stories in the collection!

“Jooni” by Kemba Banton

Another story with a bit too much exposition, but otherwise quite solid. The story takes place in a single moment as a freed slave deals with her trauma and recovers her sense of hope.

“There Will Be One Vacant Chair” by Sarah Pinsker

Hungarian Jews fight in the US Civil War while a disabled brother is forced to stay at home. The magic in this story involves reincarnation. This is another one that I think would have worked better as a longer piece – perhaps a novella. I would have liked more exploration into Julius’s theology.

“It’s War” by Nnedi Okorafor

This is another story that shows us its characters in a single moment, implying rather than narrating all that comes before and after. There’s a girl who can fly, there are women protesting taxation, and it all just kinda gets thrown together without explanation. It had a very similar feel to Okorafor’s Who Fears Death. The writing is fantastic, but I found something lacking in it as a story. I wanted either more about the protesters or more about the girl, but the two threads just didn’t seem to fit together.

“Find Me Unafraid” by Shanaé Brown

Booker warns Charlotte that the Klan is coming and holds her door strong against them. In the daylight hours, he gives her the money she will need to get herself and her family out of the small town where the mob in white sheets prowl. I enjoyed most of the story, but found the reveal at the end to be a little obvious and forced (the dialogue exposition, in particular, was clunky – especially since I had already picked up on most of the information that was being revealed). I’m also not sure how I feel about Charlotte having magical powers as well. I understand why she did, but it felt like a bit too much supernatural in a story that was otherwise more on the pleasantly ambiguous side. Overall, though, I found this to be one of the anthology’s stronger stories.

“A Wedding in Hungry Days” by Nicolette Barischoff

This was one of my favourite stories in the anthology! It’s the story of a ghost girl in rural China who marries a living boy. It’s practical and hard, but also very tender. It’s about caring for one’s family and creating a community. The narrative voice skipped around a bit, which I don’t like much in general and especially dislike in a short story, but that’s really my only complaint.

“Medu” by Lisa Bolekaja

What if Medusa the Gorgon were a black cowgirl? On the surface, the story is about a conflict between two types of magical humans (the Medusa-like and something like a xenomorph), but I felt a strong “natural hair movement” vibe from the story as well.

“Lone Women” by Victor LaValle

Adelaide is a settler heading out to her claim in Montana. With her is a creature, locked up in a trunk. As I was reading the anthology, I tried not to look at the author names or biographies before I read the stories so that my assumptions about their identities wouldn’t colour my perceptions. But when Adelaide turned out to be pregnant from a one night stand, I rolled my eyes and was utterly unsurprised to find that the author is a man. It’s not so much what happens as how, and the way in which it’s told. The story is fine, but suffers from both too much and not enough going on. There’s the story of the four boys, but that doesn’t get the ominous buildup it should have had and feels more like sequel-baiting rather than being impactful to this story. Then there’s the sisterhood angle, that seems to be looking disability and Otherness, but concludes by implying that disabled people are okay as long as they can be useful. I liked some parts of this story, but others made me quite uncomfortable.

“The Dance of the White Demons” by Sabrina Vourvoulias

The anthology ends with a strong story about native South American resistance against Spanish invaders. The story itself is great (and I would gladly read a novel-length version), but it’s also the perfect choice to end the book. It closes the anthology with a message of hope and survival even through times of oppression.