Long Hidden edited by Rose Fox & Daniel José Older

Read: 22 September, 2017

This is one of the more consistent short story anthologies I’ve read – there are a few stories that I really didn’t like, but the writing quality is fairly consistent throughout. Like most anthologies, however, there are some stand out great stories, some weak entries, and a lot of somewhat unmemorable middling entries.

I really liked the variety of backgrounds and settings on display, and it was great to see cultures and experiences that I really haven’t gotten to see in fiction before. I also appreciated that the editors chose a variety of authors, from the well-known multi-published, to the first time sale – without compromising on quality.

“Ogres of East Africa” by Sofia Samatar

The collection opens with an interesting idea – the “story” is actually a catalogue of ogres, with the narrative taking place in the marginal notes. The ogres are creative, reminding me of Amos Tutuola’s ghosts, though they don’t have much bearing on the story beyond the set up. The narrative is a bit bare bones. It just presents us with a few interesting characters at a single point in time.

“The Oud” by Thoraiya Dyer

This story reminded me a lot of Wolf Winter. There was the same conflict between the personal story taking place within the household and the big political story taking place at a distance yet invariably spilling into the home. There was also the same competition between the old and the new religion, the same sense of isolation, the same smashing together of peasant and royal lives… It was sad, but in a dreamy sort of way. I really enjoyed this one.

“Free Jim’s Mine” by Tananarive Due

On the surface, this is a story about a young family trying to escape from slavery. But within that setting, Due has woven a fairy tale. It’s an interesting story with solid writing.

“Ffydd (Faith)” by S. Lynn

Set in Wales in the wake of the first world war, a family deals with the aftermath of their experiences. Shoehorned into this setting we get a vampire, who appears to be feeding off the chickens. I believe the family is meant to be Quaker, which I suppose have faced some amount of religious persecution in the past, and I guess you could say the same for the Welsh, but this comes right after a story about an escaping slave. It’s hard to see where it fits in the theme of the anthology. I found the story itself to be a bit of a slog – it just kept going and going, but didn’t have the either the writing or the characters to sustain interest in a “slice of life” narrative. Even the addition of a vampire couldn’t save it. As is, it felt like it was trying to be coy about the vampirism in lieu of having anything interesting happen, and I’ve just seen far too many vampires for that to work.

“Across the Seam” by Sunny Moraine

In this story, a trans coal miner is recognized as a woman by Baba Yaga. I wasn’t gripped by the story itself – it played out a little too predictably and there was quite a bit that I think just passed me by. But I really enjoyed the core premise. Knowing a few Baba Yaga stories, it fits quite well to have her recognize the woman inside the coal miner.

“Numbers” by Rion Amilcar Scott

Mobsters meet sirens! It’s an interesting idea, coming together to become a story about loyalty. The writing is good, just not to my taste.

“Each Part Without Mercy” by Meg Jayanth

The magic in the story happens through the use of dreams, as dreams are used in the conquest of a city, and then in an attempted assassination. I really liked the story, but I didn’t think it worked too well in that format. The world building was so interesting that I wish this were a novel – with more time to develop the characters and explore their relationships. But because the story tried to cover so much ground in such a small word count, it felt like the ending came out of nowhere and story lacked a satisfying resolution. I would gladly read this again as a full length novel.

“The Witch of Tarup” by Claire Humphrey

This one is a simple little story about witchcraft in rural Denmark. There’s no great twist or insight, just a solidly written little portrait. This is another one that I could easily see as a novel, where the author could better explore the relationships and setting. But while I liked the story, I really don’t see how it fits with the theme of the anthology.

“Marigolds” by L.S. Johnson

Lesbian prostitutes in Paris. The magic system is quite interesting – bringing together menstruation and female sexuality. It’s not something that I’ve seen too often in fiction, despite how much it comes up in culture studies. And while it’s lovely to get a story about lesbians with a happy ending, I’m rather put off by the “Paris prostitutes” setting. It just comes up too much and is way too fetishized.

“Diyu” by Robert William Iveniuk

The story begins as an interesting period piece set among the Chinese workers on the Canadian railroad, then gets some good Lovecraftian suspense going when an Eldritch horror appears (particularly satisfying given what a raging racist Lovecraft himself was)… But then the story ruins all of that built up good will by over-describing both the horror itself and its backstory. It even had the alien horror chatting! After such a strong beginning, all suspense was sucked right out of the story and it fizzles to a close.

“Collected Likenesses” by Jamey Hatley

This is a story about retributive magic and generational pain, exploring the aftermath of slavery. I found the second person narrative a bit jarring, as is the glimpse-by-glimpse narration. But despite these, it’s one of the collection’s strongest stories. It’s simple – easily summarised in a sentence – yet has quite a lot going on.

“Angela and the Scar” by Michael Janairo

In the Philippines, locals are losing the fight against the Yanquis until a forest spirit (kapfre) gets involved. This was one of the anthology’s middling entries – not great, not bad. It’s perfect filler. The idea of enlisting the land itself to aid in a freedom conflict is an interesting one (particularly in the context of guerrilla warfare), but the author doesn’t really do anything with it other than have it happen. I did like the way the kapfre was represented – it’s alien, and its help is very capriciously given. There’s a sense that it could just as easily (and happily) turn against the locals as against the Yanquis.

“The Colts” by Benjamin Parzybok

Another middling entry, this time about Hungarian zombies. The story takes place in a moment in time, as the main characters continue to act out the revolution that killed them while putting to rest the remainder of the living selves. The writing is solid, but this is another story that just doesn’t really do anything with its premise.

“Nine” by Kima Jones

I really didn’t like this one. The whole story seems to be exposition, yet I never actually got a feel for either the setting or the characters. The characters are puppetted through the story without appearing to really care about anything.

“The Heart and the Feather” by Christina Lynch

The story is about a family with Ambras Syndrome, or Hypertrichosis, which is characterised by abnormal hair growth over the whole body. This story didn’t really sit well with me. It uses real people and a real condition, but doesn’t really do anything with it – making it a bit of a spectacle. I struggled to see how this story fits with the theme of the anthology. The only thing I can think of is that it deals with the enslavement of the “Other” for entertainment, but the “Other” is presented as bestial, and that’s some very dangerous ground. There seems to be a lesson that the “Other” characters are good while it is the humans who are responsible for the evil happening in the story, but that’s undercut by having the responsible human be an actual, literal werewolf. So then what is the point, other than that some “Others” are fine, some are more at home in nature living as animals, and some eat children? I think this is the only story in the collection that I really disliked.

“A Score of Roses” by Troy L. Wiggins

This is a little story about two (magical?) people meeting and having a baby, and the baby is special in some way. The writing is solid and engaging, but the story doesn’t really go anywhere. It feels more like a first chapter than a complete story and, honestly, I can recall very little of this story now that a few days have passed since I read it.

“Neither Witch nor Fairy” by Nnghi Vo

This one is another story about a trans woman (or girl, in this case) being recognized by a supernatural creature. This time, the supernatural creatures are Irish. The setting lends a bit of an extra dimension to the self-discovery story, as the main character believes herself to be a Changeling, since she never feels like she fits as the boy she is thought to be. The story doesn’t stand out as anything special or particularly memorable, but it’s a solid entry.

“A Deeper Echo” by David Jón Fuller

This story read like heartbreaking wish fulfilment – a First Nations father, recently returned from fighting for the Canadian government, comes after his children who were stolen first by the schools, and then by a white woman. Oh, and also, he can change into a wolf. I’m attracted to the subject, so that may have carried me through a story that didn’t otherwise stand out. But this is certainly a solid addition to the anthology.

“Knotting Grass, Holding Ring” by Ken Liu

This is the first original story I’ve read by Liu, though I have read a few of his translations, and I absolutely loved it! The writing is lyrical, the setting is vivid, and the characters shone through brilliantly. This was by far one of my favourite stories in the collection!

“Jooni” by Kemba Banton

Another story with a bit too much exposition, but otherwise quite solid. The story takes place in a single moment as a freed slave deals with her trauma and recovers her sense of hope.

“There Will Be One Vacant Chair” by Sarah Pinsker

Hungarian Jews fight in the US Civil War while a disabled brother is forced to stay at home. The magic in this story involves reincarnation. This is another one that I think would have worked better as a longer piece – perhaps a novella. I would have liked more exploration into Julius’s theology.

“It’s War” by Nnedi Okorafor

This is another story that shows us its characters in a single moment, implying rather than narrating all that comes before and after. There’s a girl who can fly, there are women protesting taxation, and it all just kinda gets thrown together without explanation. It had a very similar feel to Okorafor’s Who Fears Death. The writing is fantastic, but I found something lacking in it as a story. I wanted either more about the protesters or more about the girl, but the two threads just didn’t seem to fit together.

“Find Me Unafraid” by Shanaé Brown

Booker warns Charlotte that the Klan is coming and holds her door strong against them. In the daylight hours, he gives her the money she will need to get herself and her family out of the small town where the mob in white sheets prowl. I enjoyed most of the story, but found the reveal at the end to be a little obvious and forced (the dialogue exposition, in particular, was clunky – especially since I had already picked up on most of the information that was being revealed). I’m also not sure how I feel about Charlotte having magical powers as well. I understand why she did, but it felt like a bit too much supernatural in a story that was otherwise more on the pleasantly ambiguous side. Overall, though, I found this to be one of the anthology’s stronger stories.

“A Wedding in Hungry Days” by Nicolette Barischoff

This was one of my favourite stories in the anthology! It’s the story of a ghost girl in rural China who marries a living boy. It’s practical and hard, but also very tender. It’s about caring for one’s family and creating a community. The narrative voice skipped around a bit, which I don’t like much in general and especially dislike in a short story, but that’s really my only complaint.

“Medu” by Lisa Bolekaja

What if Medusa the Gorgon were a black cowgirl? On the surface, the story is about a conflict between two types of magical humans (the Medusa-like and something like a xenomorph), but I felt a strong “natural hair movement” vibe from the story as well.

“Lone Women” by Victor LaValle

Adelaide is a settler heading out to her claim in Montana. With her is a creature, locked up in a trunk. As I was reading the anthology, I tried not to look at the author names or biographies before I read the stories so that my assumptions about their identities wouldn’t colour my perceptions. But when Adelaide turned out to be pregnant from a one night stand, I rolled my eyes and was utterly unsurprised to find that the author is a man. It’s not so much what happens as how, and the way in which it’s told. The story is fine, but suffers from both too much and not enough going on. There’s the story of the four boys, but that doesn’t get the ominous buildup it should have had and feels more like sequel-baiting rather than being impactful to this story. Then there’s the sisterhood angle, that seems to be looking disability and Otherness, but concludes by implying that disabled people are okay as long as they can be useful. I liked some parts of this story, but others made me quite uncomfortable.

“The Dance of the White Demons” by Sabrina Vourvoulias

The anthology ends with a strong story about native South American resistance against Spanish invaders. The story itself is great (and I would gladly read a novel-length version), but it’s also the perfect choice to end the book. It closes the anthology with a message of hope and survival even through times of oppression.

The Wicked Boy by Kate Summerscale

Read: 5 July, 2017

In the summer of 1895, thirteen year old Robert Coombes murdered his mother.

I loved The Suspicions of Mr. Whicher, which used the murder of a three year old boy as a narrative structure to look at how police and detectives functioned in Victorian society (particularly where the process of investigation of upper class households by lower class detectives ruffled class sensibilities).

The Wicked Boy doesn’t have the same impact. At first, I thought it was looking at the scandal of ‘penny dreadfuls’, then it look at the criminal justice system, then it looks at the treatment of mental illness, and then it veers off entirely to go over Australia’s participation in World War I.

I enjoyed every part of The Wicked Boy, but it didn’t have the same satisfying impact without the broader point. It ended up just being about this one boy, with broader issues only mentioned as interesting asides.

Buy The Wicked Boy from Amazon and support this blog!

Greed, Lust & Gender by Nancy Folbre

Read: 24 June, 2017

This is the story of economic theory, tracing it from its pre-enlightment proto-forms, right up into the modern era.

It’s also a criticism of that history through a feminist lens. If I had to summarize the main thesis of the whole book in a single sentence, it would be: “But what about the women?”

Over and over again, we see theories of beneficial self-interest and individual economic agency that use the language of universality while, at the same time, footnoting exceptions for women (who, of course, must continue to keep the houses and raise the children of these economists, and to do so for free).

This is a bit of a heavy book, with very few soundbites or easy takeaways. It took me three weeks to read because I had to keep putting it down to process. Because of this, it doesn’t work too as a primer (which I think I would have benefitted more from), and it’s ideas were sometimes a little inaccessible.

But it’s an excellent book full of little epiphanies. And if reading it was a bit of a challenge, the challenge was worthwhile.

Buy Greed, Lust & Gender from Amazon and support this blog!

Rebecca by Daphne du Maurier

Read: 13 May, 2017

A young and inexperienced girl suddenly finds herself married to a widower twice her age. Right from the start, the relationship is utterly unequal – by age, by class, and by knowledge. While the girl struggles to find her place as mistress of a great house, she finds enemies in every servant, every neighbour.

This is something of a slow burn story, a “psychological horror” that relies far more on building a creepy atmosphere than on any overt sorts of scares. And du Maurier does it so very well.

Not only is the narration itself beautiful and poetic, every word has a place, every nuance and connotation and evoked imagery is used to great effect.

Du Maurier does an amazing job of controlling the tension in every scene. The most memorable example of this is the preparation for the costume ball, where it’s immediately obvious that disaster is coming. It’s even fairly obvious what that disaster will be (at least in its generalities). But du Maurier holds back, building and building the tension by describing how very happy the protagonist, and how very much she is not anticipating what we know is about to happen to her. I could hardly breathe through that entire, rather lengthy scene.

The characters are all – down to the very last speaking part – alternately monstrous and sympathetic. I hated Maxim, I sympathised with Maxim, I hated Maxim. My heart broke for the protagonist, I found her insufferable, my heart broke for her. The same again with Rebecca, with Mrs Danvers, with Favell… And it was all seamless, without any inconsistency in their characters.

This is, quite simply, what a masterfully written novel looks like. It may not appeal to everyone, particularly those who don’t enjoy the slow burn type or who have some sort of weird, quasi-inhuman aversion to gothic trappings, but it is a good novel.

Buy Rebecca from Amazon and support this blog!

Thomas Cromwell #1: Wolf Hall by Hilary Mantel

Read: 9 April, 2017

I’ve tried and failed to read so much historical fiction because the writing quality often just isn’t there. Ever genre has its standards, and it seems that historical fiction got its from the “bodice ripper” romance tradition – very overwrought phrasing, terrible dialogue, intrusive narration, and all-round poor sentence construction. It’s why I’ve always liked the idea of historical fiction, but so rarely actually read it.

Mantel makes it clear that historical fiction can be well written, even excellently written. All the “he, Cromwell” repetition aside, this is an extremely well crafted novel about Cromwell’s rise to power in Henry VIII’s court.

There’s some time hopping at the beginning, which is something of a pet peeve of mine. Not to mention that the beginning – when the reader is already disoriented and trying to work out who everyone is supposed to be – is the absolute worst time to fuddle with chronology like that! There are other ways to keep readers engaged through backstory!

But the time hopping seemed to fizzle out about a third of the way through, and the rest of the narrative was fairly straightforward.

I’m not particularly knowledgeable about Henry VIII’s court, apart from the broad strokes outline and Moore’s Utopia, and this was a fantastic primer. That world feels far more familiar and real to me now, and I appreciate that.

A common praise in reviews of this book is that Mantel does an excellent job of getting into Cromwell’s head, and that is absolutely true. He feels like a complex, real, living person. His pains – particularly the loss of so much of his family to the ‘sweating sickness’ – are viscerally conveyed, as are his drives and his joys.

This is an excellent – if rather long – book that breathes life into the history it is based on.

Buy Wolf Hall from Amazon and support this blog!

Continue reading

Dirk Gently’s Holistic Detective Agency by Douglas Adams

Read: 13 January, 2017

After a very unusual night, Richard becomes re-acquainted with his college friend, Svlad Cjelli – or, as he is currently calling himself, Dirk Gently. There’s also a ghost involved. It gets weird.

I have my doubts that Adams knew what the solution to the mystery would be before he started writing. This was my impression with the Hitchhiker’s books as well – he seems to just sit down, write what’s funny, and then try to come up with something that’ll end the book.

And that’s fine. This is one mystery where the journey really is all that matters, and the journey is hilarious.

Now that I’ve finished reading the book, I can finally watch that show I keep hearing about!

Buy Dirk Gently’s Holistic Detective Agency from Amazon and support this blog!

Continue reading

William the Conqueror by Thomas B. Costain

Read: 8 December, 2016

As I was talking to my mom about reading the Narnia books to my son, she mentioned that she has a few children’s books that we might want to look through. There, on her shelf, was an extensive collection of Random House historical biographies for children from the 1950s.

These books had been my mother’s when she was a child, then enjoyed by me, and I picked out a few to share with a third generation – our first was William the Conqueror.

At five, my son is perhaps a little young for this series, but he followed along in his own age-appropriate way. The battle scenes, which enthralled me as an 8-10 year old, we’re a little too intense. There are also a few authorial asides (particularly with regards to gender roles) that made me uncomfortable enough to turn into Teachable Moments.

But, for the most part, this book holds up. The vocabulary is a bit challenging, and the narrative voice doesn’t lend itself well to out-loud reading, but it’s a great introduction to historical concepts. And while I can’t vouch for the accuracy of all the historical facts, the book lays an excellent foundation for helping kids to get a feel for a time period and a familiarity with essential names.

The writing style can be very repetitive, and seemed to have trouble deciding whether it wanted to show or to tell. It’s unfortunate because the book, on the whole, is great fun.

The Casual Vacancy by J.K. Rowling

Read: 16 November, 2016

Casual Vacancy was a big depart from Harry Potter. Aside from being geared toward an adult readership, it’s a completely different genre – “slice of life” rather than fantasy. It tells the story of Pagford, a small town in the English countryside, in the wake of a city council member’s death. All stories come back, in one way or another, to that empty council seat and what it means to the lives of the town’s residents – from its wealthier members right down to the poorest.

A big part of the magic of Harry Potter was the way in which Rowling created a world of stereotype characters – easily grasped and understood at a glance – then remained in their space until they started to come alive. And yet, strangely, they remained stereotypes, just stereotypes that we came to know and to care for.

In Casual Vacancy, she does the same thing. We have the lower class girl with the turbulent home life, and we have the teen obsessed with living “authentically”, the over-achieving “tiger mom” immigrant who had a sort of arranged marriage, the social worker struggling with professional boundaries, the bored housewife fantasising about a singer in her daughter’s favourite boy band, etc.

Each of these characters is and remains a stock. Rarely do they have traits that are not perfectly in keeping with their “type.” And, yet, we stay with them, we watch them, and over 500 pages, sheer time and care fills them out and makes them whole.

It’s a remarkable process.

Harry Potter had its horror and tragedy, but Casual Vacancy lacks its hope. The characters are petty and locked into their own experiences. They are hurt, and they respond by lashing out in a great web of misery. Worse, there is little resolution. Most characters end in the same position – or worse – as they started, or have only just set a course for possible change that is well beyond the scope of this book. It doesn’t revel in the pain, and it does have its moments of levity, but it’s easy to see how this might be a difficult read for some.

One similarity between the two works that interested me is how both Harry Potter and Casual Vacancy work as representations of tyrants and how people deal with/react to them. In Harry Potter, the theme is placed in a fantasy setting, and the tyrant is defeated through valiance and friendship. In Casual Vacancy, however, things are a little bleaker. (SPOILER: And while the tyrant is eventually defeated, it is through the failure of his own body – a realistic fluke that offers that dim ray of hope to the town.)

I doubt that I would have picked up this book if not for the author, and it’s easy to see why so many people were disappointed with it. It’s clearly Rowling’s writing, but this is something completely different, and marketing the book as “by the author of Harry Potter” does it a disservice. That said, it’s a solid piece of writing. Rowling did a great job showing us the complex web of small town life, and navigating between such a large cast of characters in a way that kept it interesting (in the sense that adult “slice of life” fiction is interesting – obviously not a genre for everyone!).

Buy The Casual Vacancy from Amazon and support this blog!

The Magicians #2: The Magician King by Lev Grossman

Read: 25 October, 2016

Ever in search of his next adventure, Quentin sails out to Fillory’s far reaches to collect back taxes – a simple enough task that lands him back on earth with no way to return.

In the last book, the narrative followed Quentin fairly closely. Here, however, our time is split between the present, where Quentin & co quest to save magic in the multiverse, and filling in Julia’s doings between Quentin leaving for Brakebills and their reunion.

The back-and-forthing is an annoying narrative style and I hate it. I’m not sure what Grossman might have done differently, given the important information that Julia’s storyline gives us, but it’s irritating to start getting into the groove of one storyline only to be ripped out of it at every chapter end. I was enjoying both, but the transition pain was just too frequent.

Julia’s story is an interesting one. It’s much more rushed than Quentin’s in the first book, but it resonated for me in a lot of ways. It certainly wasn’t an easy read, though, as it’s clearly modelled on addiction (and includes symptomatic behaviours and great heapings of depression). Unfortunately, it goes even further and includes rape. (SPOILERS: Why was the rape necessary? In similar positions, rape was never on the table for Quentin, so why did Julia’s ‘price to be paid’ have to be this? Grossman could have done anything to Julia to bring her to her lowest, and he chose the easy route of having her raped. I’m quickly losing patience for rape being the default bad thing that can happen to a female character, especially when male characters in identical situations are almost never raped.)

Buy The Magician King from Amazon and support this blog!

Continue reading

Pride and Prejudice and Zombies by Seth Grahame-Smith and Jane Austen

Read: 16 October, 2016

Pride and Prejudice and Zombies is, as you might imagine, a bit gimmicky. It’s the kind of book that looks great on the shelf and will never fail to elicit some titters. It’s a book that makes a great novelty gift, but that I can’t see too many people buying for themselves.

Because it really is a gimmick. Grahame-Smith adds fairly little to Austen’s original work. What does get added is a bit clunky. The writing doesn’t match Austen’s style very well, zombies notwithstanding.

The strength of Grahame-Smith’s version is in the world building – how a different era might respond to a zombie crisis, how such a hierarchical society might encoroporate zombie fighting training as another measure of class (the wealthiest are trained in Japan, while the lower echelons of wealth train in China). Unfortunately, Grahame-Smith is so bound by Austen’s writing that he doesn’t really go far enough with it.

I enjoyed the story, but mostly as an opportunity to revisit one of my favourite Austen novels. What Grahame-Smith adds is a little weak, but still fun. There’s a joy in seeing Lizzie Bennett slaughtering zombies!

Buy Pride and Prejudice and Zombies from Amazon and support this blog!