Read: 7 February, 2010
I took a course during my university career on Science Fiction and Fantasy, taught by a heavily accented Ukrainian woman with very little qualification in the subject other than personal interest. The class structure was very informal. We had a reading list, but the syllabus included notes for each book where watching the movie would be a suitable alternative. Dracula was one such book, although the syllabus stipulated that only one version would be acceptable.
This was the same year that I was taking Victorian Literature and Colonial Literature, both courses assigning full length novels on a bi-weekly basis. I read so much that I got eye-fatigue and had to wear glasses for the rest of the year. I read so much that one of the professors (the Victorian Lit one) apologized to my mother at graduation. If I could lessen me reading load by one book, all the better.
I’m glad that I took advantage of the movie option because I was so harried by schoolwork at the time that I was reading far too superficially – skimming to intake just enough for the tests but not enough for enjoyment. So I was able to approach the book a few years later with a clean impression and all the time chance and nature give us.
I didn’t realize from the movie or pop culture that the book is written entirely in letter, news articles, and diary entries. In the story, this style is explained when one of the main characters collects all the story’s fragments from the other characters and compiles them chronologically (so that they can examine and compare what they know so far about the story’s baddy). It’s done wonderfully, adding a sense of realism to the story.
The epistolary style is rarely done well. With the more usual narrative style, characterization is easier to fudge. But when characters are given their own voices, it suddenly becomes much more obvious if the author fails to give them unique personalities – or, just as bad, tries to differentiate them with the use of cheap gimmicks. But Bram Stoker pulls it off perfectly, making Dracula the single best example of the multiple narrator style that I’ve ever seen.
I really can’t emphasize how much I enjoyed this book. It’s brilliantly written, the plot is interesting, the characters have depth, the suspense is maintained, and there’s an actual ending (something of a rarity among those easily-distracted Victorians). Other than a few points of plot, it’s really nothing like any of the pop culture we’re all familiar with.
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