Cadfael Chronicles #2: One Corpse Too Many by Ellis Peters

Read: 27 June, 2009

Cadfael does it again! When political strife leads to a mass execution, a murderer assumes that one corpse among many won’t be noticed. But Cadfael sees through this morbid disguise and, along with some new friends, he refuses to let the dead rest without justice.

As always, Peters delivers an excellent mystery with interesting characters and plot. Somehow, she manages to have a realistic and even dark plotline while still seeming innocent and unoffensive. There is also an element of feminist rebellion in the novel, as two women choose their own life paths.

Like most Cadfael novels, this is a pleasant and interesting read, a good mystery with good characters.

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Cadfael Chronicles Prequel: A Rare Benedictine by Ellis Peters

Read: 30 August, 2008

Overall, I didn’t like it quite as much as A Morbid Taste for Bones. I think that Ellis Peters might just be one of those authors who is better suited for the longer narrative format. That being said, these stories were still great fun to read.

I love that Brother Cadfael doesn’t always wrap up his cases by catching the perpetrator and turning him/her over to the authorities. Sometimes, he decides that the crime is legitimate and helps the criminal escape. Sometimes, he doesn’t reveal who did it at all. In other words, he solves the mystery and makes things right, even if that means being on the wrong side of the power structure (and, sometimes, especially if it means going against the power structure). He’s a great character and far more complex than the usual detective who just wants to restore order, whatever the moral situation.

I had expected stories that showed Cadfael before he joined the monastic order. Instead, only one story fits that, and I found that the Cadfael character didn’t come through very clearly until the end of that story – once he had decided that he would join Shrewsbury Abbey. The rest of the short stories are like the novels, following an already established brother of the abbey. So we never get a good look at Cadfael in his previous life (in fact, I got more of a sense of that life by reading A Morbid Taste for Bones!) and we never get to see him learning about the abbey and trying to fit in. It’s a whole area that would have been great to read, so it’s a shame that it was skipped over.

Either way, these were great stories and I highly recommend them for any Brother Cadfael fan. I would also like to say that the illustrations in my copy are absolutely beautiful. They are drawn in the medieval style, but have something of the modern to them – it’s hard to describe. But they did add a great deal to my enjoyment of the book.

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Cadfael Chronicles #1: A Morbid Taste for Bones by Ellis Peters

Read: 9 May, 2008

This was my first Brother Cadfael mystery, though I did avidly watch the television show. I was not disappointed, not even by an ounce!

The most important thing that I would like to mention is that the characters are fabulous, something that is sadly quite rare in mystery genre-fiction. They felt real, like people I might meet in my day-to-day life. More than that, they felt unique. Cadfael, in particular, was very well developed. More importantly, when the narrator says that everyone likes him or that his speeches were well-received, it reflects my own opinion on his actions and speeches perfectly. This was a welcome breath of fresh air after reading The Mysteries of Udolpho.

The female characters were great too. They weren’t all feminist icons (though certainly there were some realistically very strong female characters) and none of them were the swooning brand of silly girls. They were sensible and strong and human, just like male characters but with a realistic dose of femininity. This is something that I haven’t seen done well in a very long time. Something about women makes most authors want to define their characters by their gender, as opposed to male characters who are defined by their individual traits. The baddies, too, were not entirely hate-able. I disliked them, certainly, but I also understood them and could empathize with their individual situations. Again, this perfect balance between due dislike and human sympathy is something that I have very rarely seen juggled to perfection.

The sense of humour was definitely a positive. It wasn’t “laugh-out-loud” sort of humour, but rather present in subtle phrases that could easily be missed if the reader isn’t paying attention. This is part of what makes Cadfael seem so likable. Humour seems to come naturally from him, unlike many protagonists who seem to force it, trying too hard to gain the reader’s approval. The humour was also appropriate. In times of violence, for example, the narrative focuses on dealing with the situation, not poking fun of something that would be horrifying to live through. I suppose this is a reflection of our practical protagonist, but it works well. There was certainly a lot of morbid humour, but it was never inappropriate.

I mentioned earlier that mystery genre-fiction has certain shortcomings. The biggest of these is that characters tend to feel like cardboard cutouts rather than real living and breathing people. They are simplified because simplicity is easier to handle in a mystery – it makes it easier for the protagonist to come in and make order out of a chaotic event. That’s something that I loved about Cadfael. He does not seek to impose order in that same way. He solves the mystery, yes, but the resolution is unexpected and, perhaps to those who like to have everything wrapped up neatly and the truth known to everyone, unsatisfying. But he finds a solution that works within a chaotic world and that’s the solution that stands, even if it means that he has to substitute one set of lies for another.

Another shortcoming of the mystery genre is that it tends to have only a mystery. There will be “character backstory” going on, but it will usually be predictable and take a backseat. In this novel, however, the author successfully manages to juggle both the story and the mystery so that both flow naturally from one-another. Both are well-developed, and their interconnection never feels forced.

To ruin the ending for you, the bad guy dies. It’s an accidental death, as it usually is (who wants to stain the protagonists with murder, after all?), but he still dies. This is something I’ve never liked. I prefer everyone to be brought to justice and have due process carried out. However, it didn’t bother me nearly as much in this novel as it has in others because, unlike Hiaasen’s novels for example, the characters actually seem to realize that they have done something they shouldn’t have and feel some remorse for it. There isn’t as much remorse as I would like (the inclusion of the phrase “oh no, what have I done?!” would have made me feel much better), but at least it was given a mention. And perhaps it is realistic considering the times and the cultural drive for blood-price. Again, at least it was mentioned (and the mention felt like it was part of the story, not just tacked on to make the protagonists look good).

All in all, this was an amazing book. Once I started it, I could hardly put it down. The prose flows beautifully, the humour kept me entertained, and the characters felt like living/breathing people. I would highly recommend this book to anyone interested in the middle ages, mystery novels, or just anyone who likes to read a truly good book.

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