Read: 17 October, 2018
Would it really shock anyone if I said that I loved this?
Wit, political intrigue, plots, subterfuge, and romance. And just because that wasn’t quite enough, Bujold throws in a trans man, and handles him reasonably well.
I liked Ekaterin right off the bat. She isn’t everyone’s cup of tea, mostly because Quinn was such an immediate force of nature. But, I find, Ekaterin is, too. She’s just been stifled for too long that she doesn’t know her own power. Right from Komarr, however, it was clear that that power was there, hiding somewhere just beneath the surface. A Civil Campaign has her go through the process of finding it, and I suspect that she will get to properly own it in a coming book.
The marriage proposal itself was perfect. It was absolutely everything this series demanded from it. It was so dramatic and funny and wonderful, and I absolutely loved it.
Ivan is acting more the Bertie Wooster than ever, and his scenes were an absolute joy, as well.
I’m still a bit ambivalent on Mark, and I find his emotional dependency on Kareen rather frightening. I don’t want her to end up subsuming her own life to manage his. That said, at least Mark is working on it, which is more than most men in his position tend to do. And as for Kareen herself, she is certainly learning how to identify her own wants/needs and to speak out for them.
We’re eleven books and a novella into the series and, somehow, the characters – even Miles himself – still manage to show so much growth. I was blown away at the very end when Miles is every bit the imposing count that his father is, and I realised that this is who he is now. I can remember skin-of-his-teeth Miles from Warrior’s Apprentice, and his growth into this self-possessed master of his own domain has been so gradual that I’ve hardly noticed it, but it’s been natural. Having him find a widow who is in also in her 30s and who has a son who will be a teenager in not too long seems perfectly fitting.