Read: 7 November, 2018
As with The Last Wish, this is a collection of loosely connected short stories. There’s a strong theme of parenthood, with both Yennefer and Geralt grappling with their infertility, and with Geralt circling his destiny with Ciri. There’s also a scene where he comes across his birth mother, and faces the pain he feels that he was given over to the witchers rather than aborted. It’s an interesting situation, and it shows just how much he resents having been made a witcher – even while fitting the role so well. In terms of the destiny discussion, it’s also interesting to note that his mother – a sorceress – should have been infertile.
There is a scene where Geralt comes to the monument of the second battle of Sodden Hill and comes to believe that Yennefer (along with Triss Marigold and Coral) has been killed. It was rather moving to see the depth of his (misplaced) grief.
Yennefer shows up a lot, but she doesn’t get much actual interaction with Geralt. Any time they talk, they are either having sex or lamenting that they can’t be together and doomed to break up every time they try. We are shown Geralt’s own feelings for her, both at Sodden Hill and in his almost battle with his rival, Istredd. But while we’re told again and again that he loves her, we aren’t given much of a reason for it. If I remember correctly, this comes out a bit more in Blood of Elves and Time of Contempt, when the two of them form a sort of nuclear family with Ciri.
Read: 17 August, 2018
This is my favourite book of the lot.
I enjoy the random Witcher adventures – the monsters are interesting, I like the way Geralt interacts with people, and I always like the reveals at the very end that Geralt knew what was going on the whole time. But Geralt at his very best is Geralt when Ciri and Yennifer are around.
The artwork is also much better in this one, especially the backgrounds. The city shots, in particular, were gorgeous. Kowalski also did a good job of capturing the right body language and facial expressions to go along with Tobin’s writing.
As for Tobin’s writing, he’s once again managed to capture the characters’ personalities. This is especially impressive with the banter between Geralt and Yennifer, which rides such a very fine line – too affectionate and it isn’t them, but too teasing and it could come off as mean-spirited.
Read: August 6, 2018
As with House of Glass, I appreciate how well Tobin has managed to capture Geralt’s voice and the general tone of Witcher series.
The artwork, which disappointed me a bit in House of Glass, is still rather underwhelming. However, there is now a female character who actually wears clothing, so that’s at least a little improvement (have no fear – the central female character is still naked). This is authentic to CD Projekt Red’s vision of the series, so I can’t fault it for that, but it’d be nice to have a little more parity.
The story works, for the most part. I liked the ending twist, and I thought that that Tobin did a good job of building a paranoid atmosphere.
Read: 5 August, 2018
I wasn’t a huge fan of the artwork for this one. It felt a bit rough or lacking in detail, and there were several panels where I had a great deal of trouble figuring out what I was looking at. In particular, Vara’s body (her arms, especially) seemed all over the place, proportionally. It’s not bad art, per se, but it could have been a lot better.
The story was okay. It definitely felt like a Witcher story, just not one of the better ones. There’s some good mystery and ambience building up, until Geralt finds the right person to talk to and they just infodump what’s going on. Which a lot of Sapkowski’s stories also do, so points for keeping it authentic, but those aren’t the stories that I really like.
All that said, I did enjoy the writing. When Geralt speaks, he sounds like Geralt. His humour, his deadpan, the way he just goes along with what people saying – even while he knows that they are lying – just to see what will happen… that’s truly Geralt. Even the “twist” at the end that he had a good idea of what was going on the whole time, even while the reader was befuddled by the mystery, reads just like Sapkowski’s stories.
I also liked the way Geralt bantered with Vara. They had a good rapport, and it worked better than just having Geralt wandering around by himself for half the story.