Read: August 6, 2018
As with House of Glass, I appreciate how well Tobin has managed to capture Geralt’s voice and the general tone of Witcher series.
The artwork, which disappointed me a bit in House of Glass, is still rather underwhelming. However, there is now a female character who actually wears clothing, so that’s at least a little improvement (have no fear – the central female character is still naked). This is authentic to CD Projekt Red’s vision of the series, so I can’t fault it for that, but it’d be nice to have a little more parity.
The story works, for the most part. I liked the ending twist, and I thought that that Tobin did a good job of building a paranoid atmosphere.
Read: 5 August, 2018
I wasn’t a huge fan of the artwork for this one. It felt a bit rough or lacking in detail, and there were several panels where I had a great deal of trouble figuring out what I was looking at. In particular, Vara’s body (her arms, especially) seemed all over the place, proportionally. It’s not bad art, per se, but it could have been a lot better.
The story was okay. It definitely felt like a Witcher story, just not one of the better ones. There’s some good mystery and ambience building up, until Geralt finds the right person to talk to and they just infodump what’s going on. Which a lot of Sapkowski’s stories also do, so points for keeping it authentic, but those aren’t the stories that I really like.
All that said, I did enjoy the writing. When Geralt speaks, he sounds like Geralt. His humour, his deadpan, the way he just goes along with what people saying – even while he knows that they are lying – just to see what will happen… that’s truly Geralt. Even the “twist” at the end that he had a good idea of what was going on the whole time, even while the reader was befuddled by the mystery, reads just like Sapkowski’s stories.
I also liked the way Geralt bantered with Vara. They had a good rapport, and it worked better than just having Geralt wandering around by himself for half the story.