Read: May 6, 2018
This is a bunch of interconnected lives, both pre- and post-apocalypse. I found both sections engaging, and I really enjoyed seeing the points where they intersect.
It was an interesting choice to combine a story about Hollywood discontentment and loss of privacy with a more traditional dystopian run-in with a totalitarian cult leader. I don’t know how big the overlap is between the two audiences. But, somehow, it worked. It worked best as neither plot overstayed its welcome. Although there was a certain whiplash as I was taken away from a plot line – sometimes for multiple chapters – that I was interested in following.
I did appreciate what the pre- storyline added, but I did come here for the post-, and that was a bit thin. As a story-driven story, it needed much more story. As a character-driven story, much of the character development occurred in the pre- storylines, so characters that didn’t feature in both ended up not getting a whole lot of development.
Despite my complaints, I did enjoy myself throughout the whole book, and the writing style was quite excellent.