Adelia Aguilar has been enjoying a simple life with her daughter and friends, but King Henry II has come for her again. This time, he needs her to accompany his sister, Joanna, to Sicily. To ensure that Adelia returns when the task is completed, he keeps her daughter in England as a hostage. As the procession makes its way, strange things start to happen and Adelia is suspected of witchcraft.
There isn’t much to say about this that hasn’t been said for the last three books. If you’ve enjoyed the last three, you’ll enjoy this one too.
Two bodies have been found in Glastonbury, and King Henry II sends Adelia Aguilar to confirm that the two mysterious skeletons belong to King Arthur and his lady Guinevere. If Henry can prove once and for all that Arthur is nothing more than a pile of bones, it will crush the Celt rebellion for good.
But things are never quite so simple. What should have been just a short trip to identify some remains quickly turns into a life or death struggle for Adelia and her companions.
Grave Goods is another excellent addition to the Mistress of the Art of Death series. Adelia is still something of a Mary Sue, but the plot is so interesting that this is quickly forgotten.
Throughout the series, I’ve been particularly impressed with the portrayal of Henry II. It certainly isn’t one that I’d seen before.