Read: 16 May, 2017
I’d love to start this review with a plot summary, but I’m still trying to figure it out for myself.
The story isn’t making much more sense, but the weirdness is starting to become familiar.
As are the characters. I had a little trouble in the first volume because everything was happening so fast that I never got a real grasp on the characters. But they’re starting to differentiate for me, and I’m getting a better sense of who they are.
The artwork is great, and the story is certainly compelling (if rather confusing).
But now I have the same problem I had with Saga – I have to wait several months before the next instalment comes out.
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Read: 7 April, 2017
This was recommended to me as “if you like Stranger Things…” And I can see the comparison. It’s set in the ’80s, it’s about a group of young kids (in this case, 12 year old girls) who come upon some sort of mysterious monster shenanigans.
The storytelling is very good, with a strong sense of pacing. It makes the setting details clear (such as the date) without explicitly spelling them out. As for the mystery, it makes just enough sense to keep me from feeling lost, while still remaining mysterious enough to be compelling.
The main characters seem solid and are interesting as a group, but I’m having a little trouble getting a sense of them each as individuals. I’m assuming that this is a space issue and that we’ll get to know them better as the series wears on.
The artwork is great. It’s very expressive and stays stylistically consistent even while it increases or decreases detail depending on the needs of the panel.
Overall, I quite liked the first volume of Paper Girls, and I’m intrigued enough to continue the series. Of course, there’s still 30 people ahead of me on the library waiting list for volume 2…
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Read: 13 January, 2017
After a very unusual night, Richard becomes re-acquainted with his college friend, Svlad Cjelli – or, as he is currently calling himself, Dirk Gently. There’s also a ghost involved. It gets weird.
I have my doubts that Adams knew what the solution to the mystery would be before he started writing. This was my impression with the Hitchhiker’s books as well – he seems to just sit down, write what’s funny, and then try to come up with something that’ll end the book.
And that’s fine. This is one mystery where the journey really is all that matters, and the journey is hilarious.
Now that I’ve finished reading the book, I can finally watch that show I keep hearing about!
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Read: 19 January, 2013
The use of describing a fictional land to make a political or philosophical point is nothing knew – after all, that’s how Atlantis got its début. Later, during the Age of Exploration, the explorer’s tale was combined with this fictional land device, giving us books like More’s Utopia and Swift’s Gulliver’s Travels, in which a seafaring explorer happens upon magical lands – each of which teaches us a lesson about ourselves and our society (and what these could be or become).
In The Time Machine, Wells modernises the premise, giving his protagonist a time machine instead of a ship, and sending him far into the future instead of into uncharted lands.
There’s no question that Wells was consciously creating a story of the Utopia or Gulliver’s Travels type, but he does it with a wink and a nudge. Over and over again, the Time Traveller makes assumptions about the futurescape he explores and what led to it, only to be shown wrong later and have to revise his theories. As usual, he learns that things tend to be a bit more complicated than they may appear at first (or second!) glance. Even at the end, when the Time Traveller is gone and we are left only with his theories and the narrator, the narrator calls the final theories into question yet again, informing us that the Time Traveller had always be prone to arriving at those types of conclusions, reminding us that the Time Traveller – the lens through which we see the future – is flawed and untrustworthy.
I found it to be an interesting read. Certainly, the injection of evolution into the poli-sci-ism of More and Swift gave the genre a neat new dimension. But I found it to be a bit short. I think I would have enjoyed the novel more if the 802,701 C.E. storyline had been a little more condensed, and the Time Traveller had gone to a few more points in history. Then again, I know what Wells was trying to do, and the book is certainly interesting and entertaining enough as is.
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Read: 7 November, 2012
Brendan Doyle has received a rather strange invitation. He has been asked to give a lecture on Samuel Taylor Coleridge and is being flown all the way to the UK and offered at least $5,000 to do it. The mystery deepens when Darrow, a very wealthy but dying man, explains that the lecture is merely to be the introduction to an evening during which Darrow, Doyle, and several guests will be meeting the actual Coleridge.
Time travel is very difficult to write about. Between the paradoxes and trying to explain why characters don’t foresee what’s coming, it can quickly devolve into comedy. So let me just start by saying that Powers has done it. He’s pulled it off – perfectly and beautifully.
Apart from Doyle, there isn’t too much depth to the characters – since this is mainly an action-driven novel – but they are still interesting and entertaining. Of course, there are types: the woman posing as a man to avenge a lost love, the crazy clown/magician, etc.
But what I especially loved about the novel is how the facts to come are laid out early on (thanks to time travel), so the focus is not on what happens next but rather on how will we get there.
Unfortunately, the climax was something of a let down. While the rest of the plot seemed carefully planned so that everything was predicted through past (and sometimes future) events, the climax had multiple elements that just seemed to come out of left field – in one case, this actually involved introducing a brand new rule for the fictive universe. It’s almost as though Powers just got bored and wanted to move on to his next project. It’s a shame, because it’s a rather big blemish on an otherwise very enjoyable novel.
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