The Witcher #2: Sword of Destiny by Andrej Sapkowski

Read: 7 November, 2018

As with The Last Wish, this is a collection of loosely connected short stories. There’s a strong theme of parenthood, with both Yennefer and Geralt grappling with their infertility, and with Geralt circling his destiny with Ciri. There’s also a scene where he comes across his birth mother, and faces the pain he feels that he was given over to the witchers rather than aborted. It’s an interesting situation, and it shows just how much he resents having been made a witcher – even while fitting the role so well. In terms of the destiny discussion, it’s also interesting to note that his mother – a sorceress – should have been infertile.

There is a scene where Geralt comes to the monument of the second battle of Sodden Hill and comes to believe that Yennefer (along with Triss Marigold and Coral) has been killed. It was rather moving to see the depth of his (misplaced) grief.

Yennefer shows up a lot, but she doesn’t get much actual interaction with Geralt. Any time they talk, they are either having sex or lamenting that they can’t be together and doomed to break up every time they try. We are shown Geralt’s own feelings for her, both at Sodden Hill and in his almost battle with his rival, Istredd. But while we’re told again and again that he loves her, we aren’t given much of a reason for it. If I remember correctly, this comes out a bit more in Blood of Elves and Time of Contempt, when the two of them form a sort of nuclear family with Ciri.

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The Witcher, vol. 3: Curse of Crows by Paul Tobin (illustrated by Piotr Kowalski)

Read: 17 August, 2018

This is my favourite book of the lot.

I enjoy the random Witcher adventures – the monsters are interesting, I like the way Geralt interacts with people, and I always like the reveals at the very end that Geralt knew what was going on the whole time. But Geralt at his very best is Geralt when Ciri and Yennifer are around.

The artwork is also much better in this one, especially the backgrounds. The city shots, in particular, were gorgeous. Kowalski also did a good job of capturing the right body language and facial expressions to go along with Tobin’s writing.

As for Tobin’s writing, he’s once again managed to capture the characters’ personalities. This is especially impressive with the banter between Geralt and Yennifer, which rides such a very fine line – too affectionate and it isn’t them, but too teasing and it could come off as mean-spirited.

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The Witcher, vol. 2: Fox Children by Paul Tobin (illustrated by Joe Querio)

Read: August 6, 2018

As with House of Glass, I appreciate how well Tobin has managed to capture Geralt’s voice and the general tone of Witcher series.

The artwork, which disappointed me a bit in House of Glass, is still rather underwhelming. However, there is now a female character who actually wears clothing, so that’s at least a little improvement (have no fear – the central female character is still naked). This is authentic to CD Projekt Red’s vision of the series, so I can’t fault it for that, but it’d be nice to have a little more parity.

The story works, for the most part. I liked the ending twist, and I thought that that Tobin did a good job of building a paranoid atmosphere.

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The Witcher, vol. 1: House of Glass by Paul Tobin (illustrated by Joe Querio)

Read: 5 August, 2018

I wasn’t a huge fan of the artwork for this one. It felt a bit rough or lacking in detail, and there were several panels where I had a great deal of trouble figuring out what I was looking at. In particular, Vara’s body (her arms, especially) seemed all over the place, proportionally. It’s not bad art, per se, but it could have been a lot better.

The story was okay. It definitely felt like a Witcher story, just not one of the better ones. There’s some good mystery and ambience building up, until Geralt finds the right person to talk to and they just infodump what’s going on. Which a lot of Sapkowski’s stories also do, so points for keeping it authentic, but those aren’t the stories that I really like.

All that said, I did enjoy the writing. When Geralt speaks, he sounds like Geralt. His humour, his deadpan, the way he just goes along with what people saying – even while he knows that they are lying – just to see what will happen… that’s truly Geralt. Even the “twist” at the end that he had a good idea of what was going on the whole time, even while the reader was befuddled by the mystery, reads just like Sapkowski’s stories.

I also liked the way Geralt bantered with Vara. They had a good rapport, and it worked better than just having Geralt wandering around by himself for half the story.

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The Witcher #1: The Last Wish by Andrej Sapkowski

Read: 16 June, 2017

When I decided to start reading this series, I picked up the book with a helpful “1” on the spine. Well, that turned out to be Blood of Elves – chronologically the third book. To get Geralt’s story from the beginning, I actually had to go to the book with “Introducing the Witcher” on the spine.

Go figure.

I do wish that I’d read this in order, because this is the book that sets the scene. Why is Ciri Geralt’s responsibility? How did Geralt get involved with Yennifer? This is where these questions are answered.

The format of the book is a bit different. There’s a bit of an overarching story, but it’s really more of a frame to display a handful of short stories. These read very much like side quests in Witcher 3 – even to the point of Geralt stumbling on two bodies in the woods and going in search of the related quest line (something that I’ve done more than a few times in the game).

There’s a bit less politics, though Geralt still manages to tumble into a royal court or two. Mostly, it’s down-to-earth Geralt, riding around and philosophising as he deals with monsters (including the human kind).

I’m not sure if this book has a different translator or if I was just in a different frame of mind, but the prose seemed to flow quite a bit better than in Blood of Elves and Time of Contempt. I read this one very quickly, and it’s definitely my favourite so far.

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The Witcher Saga #3: Blood of Elves by Andrzej Sapkowski

Read: 3 December, 2015

Ciri, princess and heir-in-hiding to a conquered nation, is in the care of the Witcher Geralt, a monster hunter. Over the course of the book, Geralt enlists the help of friends – a poet, two magicians, a university student, and others – to help keep Ciri safe, both from those who seek to use her for politican gain and from her own power.

I came to the series through the video game, Witcher 3, which I played recently. I really enjoyed the characters and the plot, and the way that the relationships were somewhat unusual for epic fantasy (the way so many characters act with parental affection toward Ciri, for example). So I thought it’d be fun to take a look at the source material.

I was a little surprised by Blood of Elves. For one thing, Geralt isn’t even in most of the book. Sure, people talk about him an awful lot, but it’s nothing like the game where he’s front and centre. If I had to decide on a single main character, I’d say it was Ciri – she’s present in the most scenes, she is being talked about in nearly every scene she is absent from, and to the extent that the book has a structure at all, it’s about her education and development.

Oh yeah, did I mention that this book doesn’t really have a plot? There’s certainly nothing like a three act structure. There’s a lot of build up – about Ciri’s destiny, about a possible future war, about the conflicts between human and non-human cultures – but then it just ends. It ends when Ciri leaves the place where Geralt has placed her for her education, perhaps implying that this is her childhood book and that the next book will involve the next stage in her life.

I remember being around the 200 page mark and trying to explain to my spouse what’s happened so far, and all I could think was “well, Triss met Ciri… and someone appears to be looking for her.” That’s it, in 200 pages, that’s basically the plot.

But at the same time, I never felt bored. The characters are rich and interesting, and there’s a great deal of exposition on the previous Nilfgaardian war and the possibility that there will be another. And meanwhile, I’m getting to know all these characters, and to care about what will happen to them.

I quite liked the writing style. I noticed that Sapkowski keeps a lot of the action off-screen, so often we’ll see a character decide to do something, and then we’ll see them having already done it. Or maybe a character will just come on stage having already done a thing. It was well done and interesting, and Sapkowski does clearly know when a thing must be shown.

I found the writing style to be very slavic, as well, with more in common with, say, Lukyanenko’s writing than Robert Jordan’s. I also had quite a few giggles when characters said things that my Russian in-laws say, or expressed themselves in very similar ways. It was refreshingly different.

There were some translation issues, but I found them to be fairly minor. I always understood what was meant.

In conclusion, I quite enjoyed Blood of Elves. I find the world building to be quite interesting, I’m really enjoying the characters, and I like the slightly different take on the epic fantasy genre. I will definitely be checking out the next book in the series.

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